As serious art and design journalists, we’re not distracted by mere baubles. But when said bauble takes the form of an online game (think Space Invaders meets graphic design portfolio) then who are we to resist. It’s one of many trinkets to be found on karlssonwilker’s terrific new website, which shows off their work in the best possible light and confirms their status as one of the most accomplished design studios working today.
Although spoiled for choice quite frankly we decided to focus on this work for Icelandic band Gus Gus, for whose tenth album Mexico karlssonwilker took over the creative direction. After working on the video for the title track, the studio developed a new logo, album art work, posters, stage graphics and merchandise. This is holistic identity design at its finest, with every aspect of the project given due care and attention rather than a single vision blindly rolled out across different media. You’re still thinking about the game though aren’t you…
- Living for the weekend, it's Best of the Web!
- The photographer archiving South Africa’s black lesbian community
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Friday Mixtape: Grammy award-winning Tinariwen curates a genre-crossing mix
- Designer Kara Zichittella talks about her typographically-led projects
- “Where’s my community?”: Skin Deep and POC on the need for diversity in the film industry
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label