If there’s anything that Larissa Kasper and Rosario Florio don’t know about exquisite design and crisp typography then we want to find out what it is. The Swiss duo work together under the moniker of Kasper Florio and produce “quality-conscious and conceptual” design that’s incredibly striking without any reliance on brash colour or garish type. Their understated colour palettes and immaculate type absolutely speak for themselves.
With a practise that focusses predominantly on high-end fashion branding and printed matter for the fine art world it’s unsurprising that Kasper Florio have adopted a sophisticated visual language. But their graphic style is firmly rooted in traditional Swiss principles of design, consistently emphasising cleanliness, readability and objectivity. We’d probably go as far as to say that this is as good as typography gets.
- Parisian upstarts Ill-Studio give L’Officiel magazine new life
- Knock knock. Who's there? It's Best of the Web!
- William Knight's socially conscious portfolio of graphic design
- Alan Fears’ papier mâché heads are a humorous portrait of ourselves
- The quiet humour of illustrator Elena Xausa
- Devilish charm: the illustrations of Polly Nor
- Reasons Not To Do Graphic Design by Yotam Hadar
- Nostalgia in branding: top design studios analyse the NatWest and Co-op retrobrands
- Google and Monotype launch Noto, an open-source typeface family for all the world’s languages
- The only way is ethics: what are the moral obligations of a graphic designer?
- Rachel Levit illustrates contemporary relationships in new book
- Creative agency INT Works relaunches as Anyways, with a playful graphic identity