If there’s anything that Larissa Kasper and Rosario Florio don’t know about exquisite design and crisp typography then we want to find out what it is. The Swiss duo work together under the moniker of Kasper Florio and produce “quality-conscious and conceptual” design that’s incredibly striking without any reliance on brash colour or garish type. Their understated colour palettes and immaculate type absolutely speak for themselves.
With a practise that focusses predominantly on high-end fashion branding and printed matter for the fine art world it’s unsurprising that Kasper Florio have adopted a sophisticated visual language. But their graphic style is firmly rooted in traditional Swiss principles of design, consistently emphasising cleanliness, readability and objectivity. We’d probably go as far as to say that this is as good as typography gets.
- TFI the weekend! Here's the Best of the Web, as deemed by It's Nice That
- “Legs eleven, droopy drawers, dirty knees”: A clock that uses bingo calls instead of numbers
- Great new work for The New York Times and Bloomberg Businessweek from Oscar Bolton Green
- Dots, blocks and fades layered up in multifaceted exhibition identity for The Hague’s Royal Academy
- Patty Carroll’s bizarre photos hide women in chaotic, hand-built scenes
- Dougal Wilson’s Morris Dancing-heavy first music video in six years
- An insight into The Guardian’s newly released brand guidelines
- Art and architecture get exhibitions and galleries: graphic design should too
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here
- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- Photographing the choreography and chaos of the England cheerleading team
- Japanese artist Tatsuro Kiuchi is back with more beautifully finished illustrations