Nobody fills a gallery like Berlin artist Katharina Grosse and her latest show at the De Pont Museum of Contemporary Art, Tilburg is no exception to that rule. As ever Katharina has tasked herself with turning the stark environment of a modern gallery into a celebration of colour, form and scale. The central installation on display features giant orbs of multi-coloured PVC arranged into a complex labyrinth, inviting visitors to tread a carefully constructed path through the physical space.
Draped across the walls are a selection of large-scale paintings that have never before been exhibited in the same space, demonstrating Katharina’s skill as a traditional painter as well as an artist of exceptional experimental prowess. The paintings showcase over a decade of Katharina’s studio works and bear all the trademarks of her personal vernacular, playing with the physicality of her materials and exploring the nature of paint as an artwork in its own right rathe than just a medium.
You can see Two Younger Women Come In And Pull Out A Table until June 9 at the De Pont Museum of Contemporary Art, Tilburg.
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich