Remember shooting your first roll of film as an enthusiastic and slightly precocious six year-old on a sticky disposable camera? I do – and the film was dominated by the backs of people’s heads. I was devastated that I hadn’t created a collection of immaculate and traditional family portraits, of course, but little did I realise back then that the backs can be just as beautiful.
Photographer Katie Miller’s photographic portfolio is dominated by shots of the backs of her subjects’ heads, but unlike my tender failed attempt, her unique combination of composition, colour and exceedingly shiny hair allows her to make them seem even more intriguing and appealing than the fronts of them. It might have something to do with her inimitable hunch for beautiful locations, too, not to mention the expanse of blue sky and the nudity which occasionally punctuates her series. Either way, this is a collection possessing a seductive quality that few photographers ever manage to wangle.
- Friday Mixtape: Ghostpoet’s “drum worship mix” for all your percussive needs
- Yann Kebbi’s chaotic pencil drawings depict various forms of catastrophe
- Viva MS Paint: illustrators pay tribute to (the now saved) program
- Photographer Peter Anderson on his experiments with a Widelux camera and their "wonderful distortions"
- "We are visual storytellers": studio Córdova Canillas talks us through the redesign of Fucking Young! magazine
- A sneak peak into Patrick Kyle’s new comic, Night Door
- The New York Times Magazine’s new cover is actually a painting
- BBC’s new typeface BBC Reith is designed to improve legibility on screen
- “It needs to be normalised that women masturbate”: meet illustrator Jordyn McGeachin
- Life through the lens of enchanting photographer Vicki King
- Six months in the (enviable) life of photographer Ryan Lowry
- We get to know hilarious and thoughtful illustrator, Ruby Etc