Remember shooting your first roll of film as an enthusiastic and slightly precocious six year-old on a sticky disposable camera? I do – and the film was dominated by the backs of people’s heads. I was devastated that I hadn’t created a collection of immaculate and traditional family portraits, of course, but little did I realise back then that the backs can be just as beautiful.
Photographer Katie Miller’s photographic portfolio is dominated by shots of the backs of her subjects’ heads, but unlike my tender failed attempt, her unique combination of composition, colour and exceedingly shiny hair allows her to make them seem even more intriguing and appealing than the fronts of them. It might have something to do with her inimitable hunch for beautiful locations, too, not to mention the expanse of blue sky and the nudity which occasionally punctuates her series. Either way, this is a collection possessing a seductive quality that few photographers ever manage to wangle.
- Four illustrators have their works drawn by Joto at Here 2017
- David Lewandowski’s floppy rubber bodies take over the streets of Japan
- Ella Bucknall tackles the “boy’s club” of political cartooning in her new zine, Whip
- Anna Haifisch bends the rules of comics in new floppy and oversized book, Drifter
- Illustrator Jill Senft creates fun and whimsy with her cavalcade of pink characters
- White Flag project that is tackling global division and the “growing fear of the stranger”
- Alex Norris’ hilarious three-panelled webcomics are universally appealing
- Southbank Centre visual identity redesigned by North, to be a “confident masthead” for the institution
- The Buzzfeed redesign: UK art director Tim Lane talks us through his seven-month overhaul
- Fresh Yale grad Franci Virgili applies an academic approach to graphic design
- Instagram co-founder Mike Krieger on how to stand out
- Leipzig graphic design studio Lamm & Kirch on their shared ethos