Creative directors of Paris-based fashion house Kenzo Humberto Leon and Carol Lim decided to take the usually vibrant brand in a more surreal and sinister direction with their Autumn Winter 2014 collection, and who better to help them with such an endeavour than David Lynch? They enlisted the idiosyncratic director to collaborate with them for the collection, which they consider to be the third in a trilogy which references his work. David mixed the soundtrack using his characteristic surreal influences, as well as designing the set, sculpting the howling head sculpture which is reflected in countless mirrors bearing over the catwalk.
Meanwhile, motifs from his films seeped subtly into the garment design. For example, the tools which recur repeatedly in his films were present in the metallic highlights and tool-shaped prints and embroidery accenting the garments, while Kenzo’s usually eclectic colour palette was dominated by heavy black, dark red and shiny silver. David explains: “I wanted to try to get a different feel for a runway show, having mystery and emotion swimming together.” It’s one of the most unpredictable and pleasantly surprising collaborations the catwalk has seen for some time. It’s about somebody told Paris about Twin Peaks.
- Submit Saturdays: Tips for Social Media
- New Originals: introducing the London Rollergirls
- The best things on the internet, readers' comments and who to follow on social media
- Our A-Z Guide to the UK's 2016 Graduate Shows
- LGBT in advertising: “What we need now is bravery"
- Images packed with life, leather and charm in Bex Day's new series for Pylot
- The new Sagmeister & Walsh website has a live feed from a snake enclosure and a new naked photo (NSFW)
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Sexual, surreal and disturbing: the weird work of super-skilled Claudia Maté
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"