Launch Recite Me assistive technology

Animation: PES is back with a fantastically violent swan massacre short

Date
7 April 2014

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Hey remember PES? Sure you do, he’s the guy who does mind-bending stuff with stop motion animation (like this and this), combining incredible technical skill with charm and wit. So when KesselsKramer wanted a film as part of their campaign launching the new citizenM hotel in New York’s Times Square, they knew who to call. OK so they might have emailed, but the point is PES was exactly the person who could take the campaign’s cliche-busting message to dizzy new heights.

Swan Song seems to be a celebration of old hotel stereotypes, but the terry towel swans’ mating ritual is brought to a marvellously violent climax, powerfully making the point that old school hospitality is very much a thing of the past.

A small white card reads “Suite Dreams” in pink cursive script. Several gold-wrapped chocolates are scattered in front of the card on a reflective dark surface.
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KesselsKramer London and Los Angeles/PES: Swan Song for citizenM

Two white towels are folded into the shapes of swans on a blue quilted bedspread. The swans face each other, their curved necks forming a heart shape.
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KesselsKramer London and Los Angeles/PES: Swan Song for citizenM

A bottle of champagne sits in a wooden bucket filled with ice. A thick cloud of white foam erupts from the top of the bottle.
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KesselsKramer London and Los Angeles/PES: Swan Song for citizenM

Towel art on a hotel bed depicts two white swans forming a heart shape. They are positioned inside the open mouth of a larger grey shark made from towels.
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KesselsKramer London and Los Angeles/PES: Swan Song for citizenM

A hotel bed with a blue quilted duvet and a red runner across the foot. White text laid over the image reads “farewell hotel clichés, hello affordable luxury”.
Above

KesselsKramer London and Los Angeles/PES: Swan Song for citizenM

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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