Kirsten Rothbart’s comic art is busy. Very busy. It’s almost overflowing in fact, full of memorabilia which is stereotypically connected with adolescent girls but which is here turned upside down and scattered around bedrooms in a colour palette of sickly pinks and purples that deliberately juxtaposes with Kirsten’s parental guidance subject matter.
Her illustration focuses on teenage girls who have stayed out too late, figures who are being consumed alive by a Charles Burns-esque virus, and rage-fuelled anti-heroines with snake tattoos and Garfield ankle socks, and they’re all lounging and revelling in a junk pit of magazines, confetti, boxes of chocolates and ashtrays. In fact there’s a veritable feast of debauchery and twee imagery depicted in Kirsten’s inimitable style, and we’re expecting great things.
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich