Kirsten Rothbart’s comic art is busy. Very busy. It’s almost overflowing in fact, full of memorabilia which is stereotypically connected with adolescent girls but which is here turned upside down and scattered around bedrooms in a colour palette of sickly pinks and purples that deliberately juxtaposes with Kirsten’s parental guidance subject matter.
Her illustration focuses on teenage girls who have stayed out too late, figures who are being consumed alive by a Charles Burns-esque virus, and rage-fuelled anti-heroines with snake tattoos and Garfield ankle socks, and they’re all lounging and revelling in a junk pit of magazines, confetti, boxes of chocolates and ashtrays. In fact there’s a veritable feast of debauchery and twee imagery depicted in Kirsten’s inimitable style, and we’re expecting great things.
- Alasdair McLellan shoots Margaret Howell's AW15 campaign
- Innovative textures and techniques in campaign for Decca Classics inspired by The Stalker
- Beautiful editorial illustrations by painter Jean-Philippe Delhomme
- An absurd and unexpected series from Jordan photographer Tanya Habjouqa
- La Mouche et La Cloche's charming and musical identity for Association Irlandaise
- Designer, art director and book fanatic Ben Branagan shows off his bookshelf
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Rebecca Scheinberg comes pretty damn close to making perfect photographs
- Embracing the uncanny with photographer Nadia Lee Cohen (NSFW)
- Hello and welcome to the new look It’s Nice That
- Craig Gibson's photography is sincere and refreshing
- We ask some established creatives what they wish they'd learned at art school