We don’t know much about Swedish graphic designer and illustrator Klara Persson, but we do know that her style, created with watercolours and collage-esque shapes, oversized upper halves, and lots of pastel colours, is pretty fantastic.
From Molly and Sus, best friends whose super-long braids attach them together, to her funny-looking, skinny-legged characters, every face she turns her pen to seems to emerge brilliantly animated and clad in huge woolly jumpers that, in all honesty, I’d be perfectly happy to don myself. With any luck this mystery-swathed illustrator will soon emerge from the shadows and show us more.
- Moving Brands gives its opinions on the new Google logo design
- Typographic club posters that show how creativity flourishes within boundaries
- Eric Petersen's surreal illustrations take their cues from video games
- Paris-based Adrien Menard's portfolio experiments with letterforms and composition
- The creative process explained via egg metaphors, thanks to artist Honza Zamojski
- Vincent Girardot’s photo diary documents an alpine tour of fish, factories and firs
- No more serifs, same bright colours: Google launches new identity
- Tokyo 2020 Olympic Games logo scrapped over plagiarism row, according to reports
- Ely Dagher’s hypnotic and erotic animated vignettes for Model 86’s EP (NSFW)
- Playfully tongue-in-cheek illustrations from Germany-based Cécile Dormeau
- The Anonymous Sex Journal is back, and this issue is all about wanking
- The slides and sleep pods of LA's Silicon Beach startup scene captured by Lauren Greenfield