Los Angeles-based artist Laura Owens is something of a celebrity in her home town. She was one of the youngest artists ever to have a solo show at LA’s Museum of Contemporary Art in 2003 and has since been involved in a number of community driven art projects that her large-scale paintings have facilitated – she’s used her painting studio as a gallery space and performance and exhibition centre for all sorts of interesting collaborations.
Stylistically Laura’s paintings owe much to the 1980s. There’s colour palettes and patterns at work there that would look at home on a Talking Heads album. But the depth and complexity of her work also borrows heavily from the way we see things on screen, with different windows, layers, textures and patterns combining on one canvas like a desktop acting as a repository for all manner of visual information. Aside from giant canvasses she also makes intricate artist books that present her ideas on an entirely different scale. I’m hooked, so expect an interview in the near future Laura.
- Dressed in Black: the resolute book covers of the Spektrum series
- Dima Shriyeav’s textured poster designs incorporate hand-drawn and digital elements
- Hai-Hsin Huang’s detailed and delicate illustrations present “the lightness of being”
- Laurent Eisler draws playful figures in “precariously balanced compositions”
- Small Gods magazine explores “anomalies of the drone”
- Adam Wells animates Love and Radio’s Dan Deacon interview through obtuse vignettes
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s