Ever since the digital revolution supercharged the speed at which we live our lives, various movements have sprung up to celebrate the joys of going back to basics, pace-wise. Slow food, slow travel, slow design and their ilk have all helped rein in our rapidity and now Lenka Clayton has done the same thing for magic. Over several weeks in the windows of Paris’ L’Antenne (part of Le Plateau gallery) she carried out amazing illusions over the course of three days. Before people’s very eyes (eventually) flour and sugar became delicious cakes, pencils became stubs and shavings and an egg became a real life chicken.
It’s a delightfully silly idea executed flawlessly and the public setting added in a nice level of interaction with passers-by as captured in some of Martin Argyroglo’s photos. Abracadabra indeed.
- Danish illustrator Rune Fisker’s clean, windswept surrealism
- Filmmaker Alice Dunseath presents a meditative reflection on life
- Edinburgh graduate Jack Fletcher's beautiful woodcut illustrations
- There Is' ace new typographic projects for Wired and New York Times magazine
- Clase bcn's bright but elegant identity for a Barcelona concert hall
- Craig Gibson's photography is sincere and refreshing
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns
- Street photography shot on an iPhone during fake phonecalls by Jay Giampietro
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Should creatives ever accept unpaid work? We ask some seasoned experts
- We get a sneak peek of TASCHEN's new book documenting 50 years of Pirelli