Ever since the digital revolution supercharged the speed at which we live our lives, various movements have sprung up to celebrate the joys of going back to basics, pace-wise. Slow food, slow travel, slow design and their ilk have all helped rein in our rapidity and now Lenka Clayton has done the same thing for magic. Over several weeks in the windows of Paris’ L’Antenne (part of Le Plateau gallery) she carried out amazing illusions over the course of three days. Before people’s very eyes (eventually) flour and sugar became delicious cakes, pencils became stubs and shavings and an egg became a real life chicken.
It’s a delightfully silly idea executed flawlessly and the public setting added in a nice level of interaction with passers-by as captured in some of Martin Argyroglo’s photos. Abracadabra indeed.
- Roberta Sant’Anna takes her camera inside a weird and wonderful Brazilian water park
- “Work hard and be nice to people”: what we learned at Nicer Tuesdays March
- “Dance exists when we run out of things to say”: choreographer Holly Blakey on her life and practice
- From admirer to employee: The New York Times Magazine designer Ben Grandgenett
- Amina Bouajila’s illustrations flit between reality and limbo in colourful hues
- Rufus Newell uses curves and scribbles to depict Greek gods and heroes
- Petition launched against winner of Foam Paul Huf photography award for “stereotyping and sexism”
- Exclusive: rediscover graphics from Fiorucci’s archival 1984 Panini collaboration
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Me & EU project will send creative postcards across Europe on trigger date of Article 50
- Phaidon book gathers together 500 of the most iconic graphic designs of all time
- Atelier Brenda: the alter ego of three female designers you need to get to know