Lilli Carré has all bases covered with her hugely applicable illustrative stylings. From editorial spots for top US magazines and papers (The Believer, The New Yorker, Best American Nonrequired Reading… you get my drift) to works on paper that begin to leave the page (literally) and a panoply of mini-narratives, from ten second loops of moving drawings to ingeniously crafted cartoons and animations, comics and graphic novels.
Armed with countless media, textures and a real printmakers understanding of colour, Lilli does not appear to be trapped by any one way of working. It is clear to me now – the variety coupled with her prolific and genuine storytelling ability and the fact that she has found the time to co-found the Eyeworks Festival of Experimental Animation – Lilli Carré (“based” in Chicago), is not of this world.
- Things glorious things! The best of the postman's offerings we received this September
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- Dan Emmerson shoots #bikelife in the Welsh valleys
- Dive into Adam Higton's collages via his psychedelic new album and video
- Bill Baird's ephemeral online album is completely unique for every listener
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- “Nymphomaniac” photographer Casper Sejersen's explosive images
- Trump protest pins by Sagmeister & Walsh, Hort, Olimpia Zagnoli and more
- Google and INT Works commission 19 illustrators to create over 500 works for Allo app launch
- Kalen Hollomon's collages mix sex with fortune cookies
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- Anja Wicki's sarcastically sweet comic illustrations