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A long-exposure photograph of swirling, neon light trails in green, blue, red and white. The glowing lines loop and overlap in a dark room, floating above a tiled floor.

Luis Hernan's work makes WiFi signals visible in astonishing images

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Date
29 July 2014

Few forces shape the modern world more than the internet and yet it’s an invisible presence that we just understand is there. But PhD student Luis Hernan has changed that by designing a system which scans for wireless networks and creates images where different signal strengths are represented by different coloured LED lights. The results, in essence, allow us to see the WiFi around us.

“This project came about as a design discourse on digital technologies, and the invisible infrastructure underpinning it.,” Luis says on his dedicated Digital Ethereal website. “I believe our interaction with this landscape of electromagnetic signals, described by Antony Dunne as Hertzian Space, can be characterised in the same terms as that with ghosts and spectra. They both are paradoxical entities, whose untypical substance allows them to be an invisible presence. In the same way, they undergo a process of gradual substantiation to become temporarily available to perception. Finally, they both haunt us.”

His studies blend photography, design, performance, installation art, programming and electronics to explore not only the world of invisible internet signals, but also “the cultural and social complexity imbued in the use of such technologies.”

He also has an Android app that allows users to reveal the WiFi signals around them.

Unsurprisingly Luis’ work has received a lot of attention the images have been around for a few weeks now, but there’s no doubting this is a project that richly deserves all the praise being lavished on it.

A long-exposure photograph of swirling neon light trails in blue, green and yellow. The glowing lines form a dense, chaotic orb of light against a dark background.
Above

Luis Hernan: Digital Ethereal

A stone archway leads into a building with the words “Architecture Build” visible above the entrance. A swirl of vibrant, multi-coloured light trails curves across the steps and into the doorway.
Above

Luis Hernan: Digital Ethereal

Swirls of vibrant, multi-coloured light dance across a staircase and a window with white shutters. A small cat is partially visible, curled up on the brown carpeted steps.
Above

Luis Hernan: Digital Ethereal

A stepladder stands in a plain white room, surrounded by swirling trails of blue, green and yellow light. The light painting creates a chaotic, glowing cloud that wraps around the metal frame.
Above

Luis Hernan: Digital Ethereal

A long-exposure photograph of a gallery corridor, where swirling trails of neon light create a vibrant, colourful orb. The light streaks obscure a doorway and a sign that reads “Accessible Route”.
Above

Luis Hernan: Digital Ethereal

Swirls of vibrant red, blue, green and yellow light streak across a dark room. The long-exposure photograph creates glowing, tangled ribbons of colour that float in the centre of the space.
Above

Luis Hernan: Digital Ethereal

A long-exposure photograph of swirling, multicoloured light trails in a dark room. The vibrant blue, green, yellow and red lines loop and weave across the frame against a dim interior.
Above

Luis Hernan: Digital Ethereal

A long-exposure photograph of swirling, neon light trails in blue, green, yellow and red. The colourful streaks loop and curve across a dimly lit room with a tiled floor.
Above

Luis Hernan: Digital Ethereal

A long-exposure photograph of vibrant, swirling light trails in a dark room. Red, green and blue lines loop and curve to create a glowing, abstract sphere in the centre of the space.
Above

Luis Hernan: Digital Ethereal

A long-exposure photograph of swirling, colourful light trails in a dark room. Vibrant red, green, yellow and blue lines loop and intersect to create a chaotic, abstract sphere of light.
Above

Luis Hernan: Digital Ethereal

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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