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A magazine cover featuring a person walking a tightrope between two skyscrapers. A large, red hand-drawn “M” and a white rope illustration are layered over the scene. Text at the top reads “MacGuffin”, “The Life of Things” and “N° 3”, with “The Rope” at the bottom.
A magazine cover featuring a person walking a tightrope between two skyscrapers. A large, red hand-drawn “M” and a white rope illustration are layered over the scene. Text at the top reads “MacGuffin”, “The Life of Things” and “N° 3”, with “The Rope” at the bottom.

Macguffin, the publication celebrating anonymous design objects

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Date
3 October 2016

Macguffin is a publication for the fanatic, each issue celebrating a design object that often remains anonymous. Previous issues have investigated the bed and the window, but the third considers the functional and artistic use of the trusty rope. It explores “the fascinating life of the object that binds together pieces of furniture, K2 climbers, redneck cars, Japanese eggs and Mars rovers”.

The incentive for the third issue began with editors Kirsten Algera and Ernst van der Hoeven realising how under appreciated the rope is. “As far as we’re concerned, ropes and knots have seldom received the attention they deserve on art, design and crafts platforms,” they explain, “even though they are the very things that keep everything together”.

The issue is split into three chapters, each dissecting the object and its use. The first displays the use of rope across platforms including “biennale curators, post-punk designers and bondage-loving connoisseurs”. The second identifies the use of a key companion to the rope, the knot, presenting “an array of knots that are both functional and fabulous”. Finally, the last chapter is the weave, the appropriation of rope that has become a cultural identity, bringing together, “the pioneers the dreamers and the idealists who want to weave a new future”.

As a publication Macguffin teaches an audience. It combines fascinating editorial features, considered design and creative art direction through photography that encourages the reader to delve into a fresh new subject.

A thick, twisted brown rope curves across a bright red background. It ends in a complex, spherical knot, with small text at the bottom reading “Double Wall and Crown Knot”.
Above
Left

Macguffin: The Rope

Right

Macguffin: The Rope

A thick, coarse rope is tied into a knot and curved against a solid red background. Small text in the bottom left corner reads “Spanish Whipping”.
Above

Macguffin: The Rope

A massive, tangled pile of colourful ropes sits on a concrete quay. In the background, a calm body of water leads to snow-capped mountains under a pale sky.
Above

Macguffin: The Rope

A wide shot of a pale, sandy beach under a cloudy sky. The page features the title “Cable Landings” and a paragraph explaining that most data traffic travels through undersea cables.
Above

Macguffin: The Rope

A cluttered workshop filled with coils and bundles of rope in various thicknesses and colours. Some ropes hang from the ceiling, while others are piled high on a wooden crate.
Above
Left

Macguffin: The Rope

Right

Macguffin: The Rope

A cluttered workshop filled with nautical equipment. Coils of rope and pulleys hang from the ceiling and walls, while a wooden workbench is covered in tools and hardware.
Above

Macguffin: The Rope

A wooden shelving unit holds a collection of tactile objects and materials. Ropes, faux fur, and a rectangular piece of marbled fabric are draped and tied across the light timber frame.
Above

Macguffin: The Rope

Two dried, shrivelled animal feet hang from a car's rearview mirror by a bright yellow string. Through the rear window, a blurred landscape of brown earth and a white structure is visible.
Above

Macguffin: The Rope

A pile of mixed clothing, featuring a deep purple blazer with a dark floral pattern and a satin lining. Other garments include a white shirt and a beige fabric with a brown botanical print.
Above

Macguffin: The Rope

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Further Info

About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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