Design practice and religious practice don’t often go hand in hand, but thanks to Norwich’s Maddison Graphic The Methodist Church is starting to shake off some of its stuffier visual associations – think chintzy plates of scalloped biscuits passed round beige rooms by dowdily-dressed spinsters – moving into classier territory.
Two recent publications produced for their use feature crisp, contemporary design that, surprisingly, doesn’t feel at all out of place as a means of religious communication. Both The Fruitful Field and A Handbook for New Superintendents: Circuit Processes (admittedly that’s still quite a stuffy name) are simple, beautifully designed pieces of print that are entirely fit for purpose.
Maddison Graphic are making waves in Norwich’s design scene by working almost exclusively with local clients, forgoing the big bucks available from multinational companies in favour of forging long-term relationships with smaller businesses in their surrounding area. Sceptics would argue that this inhibits the scope and scale of their work, but a quick browse through their recently updated portfolio is enough to dispel this idea. They’re making fantastic work for an unusual roster of clients, and making Norwich look good and communicate better in the process.
- Camelot’s typefaces bring both the contemporary and historical to the table
- Scott Newett’s eerily quiet, ethereal portraits of Chinese utopia
- Jade Schulz’s atmospheric and imaginative editorial illustrations
- Emiliano Granado’s new zine puts a fresh spin on Tour de France fandom
- The big cover up: Mathieu Thibault's translations of graffiti
- Artist Howard Fonda captures the vibrancy of summer for Ace & Tate
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale