Design practice and religious practice don’t often go hand in hand, but thanks to Norwich’s Maddison Graphic The Methodist Church is starting to shake off some of its stuffier visual associations – think chintzy plates of scalloped biscuits passed round beige rooms by dowdily-dressed spinsters – moving into classier territory.
Two recent publications produced for their use feature crisp, contemporary design that, surprisingly, doesn’t feel at all out of place as a means of religious communication. Both The Fruitful Field and A Handbook for New Superintendents: Circuit Processes (admittedly that’s still quite a stuffy name) are simple, beautifully designed pieces of print that are entirely fit for purpose.
Maddison Graphic are making waves in Norwich’s design scene by working almost exclusively with local clients, forgoing the big bucks available from multinational companies in favour of forging long-term relationships with smaller businesses in their surrounding area. Sceptics would argue that this inhibits the scope and scale of their work, but a quick browse through their recently updated portfolio is enough to dispel this idea. They’re making fantastic work for an unusual roster of clients, and making Norwich look good and communicate better in the process.
- You lucky devils, it's Best of the Web!
- Bogdan Ceausescu and Sebastian Pren experiment with grids and shapes in their latest zine
- Friday Mixtape: Illustrator and guitarist Sophy Hollington's *feels* mixtape
- Photographer Anastasia Korosteleva's waterborne portraits of Maldivian girls
- We caught up with photographer Adama Jalloh
- Seoul studio Everyday Practice talks about its collaborative approach to design
- Animator and director James Curran’s amusing 30-day Gifathon project in Tokyo
- Photographer Sophie Mayanne’s new personal project celebrates imperfection (NSFW)
- Animator Saiman Chow’s trippy idents for Adult Swim’s Rick and Morty
- The daily grind: Louis Quail’s photographs of fascinatingly mundane offices
- "Before I was a graphic designer I had nearly no idea what one was": meet Austin Redman
- Matthew Raw: the east London artist making clay great again