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A person sits at a sewing machine in a room filled with oversized fabric plants and jungle foliage. They lean their head on their hand, surrounded by piles of blue and green textiles.

Australian artist Magdalena Bors turns mundane settings into beguiling fantasy worlds

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Date
30 April 2013

Australian artist Magdalena Bors initially trained as an architect and her work retains an architectural interest in how we relate to our living spaces. But she’s taken this in fantastic and fantastical directions by creating and photographing weird and wonderful landscapes in domestic settings.

“Our connection with the natural world is the driving force behind my work,” she says. “I am fascinated by the simultaneous strength and fragility of this connection as we go about our lives, spending most of our time within the confines of the small compartments we call home.​”

So in Homelands we are confronted with surreal scenes in living rooms and garages, and left uncertain whether they exist only in the subjects’ minds, while in The Seventh Day the scenes feature everyday objects run amok such as sponges, drawing pins or cereal.

These beautiful, intriguing images throw up so many questions – from the process involved to the ideas Magdalena is playing out – pulling viewers in and not letting us go.

A person with long red hair sits on a floor covered in autumn leaves. Beside them lies a large, brown fabric sculpture shaped like a fallen log.
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Magdalena Bors: Autumn

A person stands in a brick-walled workshop surrounded by large piles of shredded and stacked paper. Some of the paper is arranged into organic, sculptural mounds on the grey floor.
Above

Magdalena Bors: Apostles

A person sits in a room surrounded by numerous large, conical knitted sculptures in orange, red and yellow stripes. The sculptures fill the space, spilling from a doorway and across the floor.
Above

Magdalena Bors: Bungle Bungles

A person sits in a high-backed yellow armchair, looking out over a room filled with an expansive jigsaw puzzle. The completed puzzle creates a vivid, immersive underwater scene of coral reefs and fish that spills across the floor and climbs the walls.
Above

Magdalena Bors: Reef

A person sits at a sewing machine in a room filled with oversized fabric plants and brown textile tree trunks. They lean their head on their hand, surrounded by piles of blue and green fabric.
Above

Magdalena Bors: Jungle

A person sits on a red sofa, knitting a piece of green wool. Below them, a 3D knitted landscape of rolling green hills, blue rivers and tiny trees grows out from under a wooden coffee table.
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Magdalena Bors: Woodland Scene

A person in black clothing stands beside a wooden dining table. Beneath the table, a miniature glowing white castle sits atop a mound of spilled sugar on a tiled floor.
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Magdalena Bors: Castle on the Hill

A hand places a blue sponge atop a tower of blue sponges. The tower sits between two large, layered yellow and pink sponges that resemble geological rock formations.
Above

Magdalena Bors: Gorge

Thousands of gold and silver pushpins form a shimmering, undulating landscape across a wooden desk. The pins climb up a cork noticeboard, scattering across the surface like a spray of droplets.
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Magdalena Bors: Mountain Vista

A person uses a palette knife to spread pink icing over a cake on a white draped table. The icing drips down the tablecloth and pools on the floor, where it forms mountains and patterns of sweets and sprinkles.
Above

Magdalena Bors: Peaks and Valley

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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