We first posted the brilliant Maisie Broadhead on the site in 2009 and we’ve vaunted her talents both online and in print pretty regularly in the past four years. Maisie was selected for this year’s Jerwood Makers Open; a showcase for “rising stars” which comes with £7,500 commissions. She made the most of her grant, creating a series of pictures inspired by Paolo Veronese’s Allegory of Love (1575) – each one representing one of four different facets Veronese identified; Scorn; Unfaithfulness; Respect and Happy Union.
Drawing on her experience with creating physical objects (she studied jewellery at the RCA), Maisie has produced four handmade pieces – in wood, glass, plastic and metal – around which her intriguingly strange tableaux are built. Heady stuff indeed from one of our favourites.
Jerwood Makers Open is on show at London’s Jerwood Space from tomorrow until August 25.
- Living for the weekend, it's Best of the Web!
- The photographer archiving South Africa’s black lesbian community
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Friday Mixtape: Grammy award-winning Tinariwen curates a genre-crossing mix
- Designer Kara Zichittella talks about her typographically-led projects
- “Where’s my community?”: Skin Deep and POC on the need for diversity in the film industry
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label