It always baffles us when someone takes such a rudimentary tool and uses it to create something nothing short of spectacular. In the case of Martin Groß, his tool is a bleistift (for those of you that didn’t do German in school, that’s a lead pencil) and his visuals are like enormous, sci-fi architectural plans.
With the ability to make what look like reflected glass with such a medium is nothing short of heroic, and we have a lot of time for that. Really look at those layers and layers of what appear to be architectural sketches, but then transform in front of your eyes into something more like the sinking of a colossal ship into the ocean at night.
- Laurina Paperina's dark, weird but charming work
- Studio Frith creates Patti Smith-inspired identity for the inaugural Art Night festival
- Cindy Yang’s poignant animation questions the routine and mundanity of life
- “Run towards the noise” – MINI contemplates the future of mobility and personalisation in London
- Photographer Benedetta Ristori documents cultural juxtapositions on the Balkan peninsula
- June Korea’s photographic fantasy: one man’s relationship with his sex doll
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- World’s “ugliest” Pantone colour 448C is being used to deter smokers
- North evolves Tate identity to be more adaptable
- Babak Ganjei paints 90s sitcom sitting rooms. But which one's which?
- More bonkers and surreal selfies from Izumi Miyazaki
- Reactions to the referendum and our weekly Best of the Web