Typography has the wonderful ability to shape not only how we see text but also how we read it, it’s there to guide us through whatever visual experience it may be with ease. It’s a bit like the encouraging nudge you’d get from your mum to let you know that it’s okay to go and run around the playground wild with your hands flailing in the air.
Leading us to the typographical slides and swings of design is Helsinki designer, Martin Martonen whose portfolio is a swell mix of bright colours and clever and exciting layouts. He uses type to encapsulate different moods that correlate with the specific piece of work he’s producing and our eyes dance with all the beautiful and quirky spacing he’s employed too. With work ranging from posters and editorial spreads to brand identities, Martin’s work is a refreshing joy to look through.
- Danish illustrator Rune Fisker’s clean, windswept surrealism
- Filmmaker Alice Dunseath presents a meditative reflection on life
- Edinburgh graduate Jack Fletcher's beautiful woodcut illustrations
- There Is' ace new typographic projects for Wired and New York Times magazine
- Clase bcn's bright but elegant identity for a Barcelona concert hall
- Craig Gibson's photography is sincere and refreshing
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns
- Street photography shot on an iPhone during fake phonecalls by Jay Giampietro
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Should creatives ever accept unpaid work? We ask some seasoned experts
- We get a sneak peek of TASCHEN's new book documenting 50 years of Pirelli