Typography has the wonderful ability to shape not only how we see text but also how we read it, it’s there to guide us through whatever visual experience it may be with ease. It’s a bit like the encouraging nudge you’d get from your mum to let you know that it’s okay to go and run around the playground wild with your hands flailing in the air.
Leading us to the typographical slides and swings of design is Helsinki designer, Martin Martonen whose portfolio is a swell mix of bright colours and clever and exciting layouts. He uses type to encapsulate different moods that correlate with the specific piece of work he’s producing and our eyes dance with all the beautiful and quirky spacing he’s employed too. With work ranging from posters and editorial spreads to brand identities, Martin’s work is a refreshing joy to look through.
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich