“Martin Nicolausson is perhaps the only Swedish illustrator and graphic designer with the name Martin Nicolausson” begins his illustrator bio. “This is important as originality is one of his most admired principles.” Fortunately for Martin then originality is one aspect of his illustration which he has absolutely nailed, churning out work as he does. We’re huge fans, both for his assured combination of digital and nostalgia-influenced imagery and for his faultlessly bold colour palette.
We’re not the only ones either – a varied client list pays tribute to his unhesitating style, while his newer work for the Festival au Désert showcases a simpler, stripped-back side to his usually busy aesthetic. Whether this stylistic change marks a momentary respite for his busy brain or a more permanent change of pace, we’re not sure, but either way he does it very well.
- Brian Griffin's haunting new photography book documents paths that led to the Holocaust
- Japanese designer Tadashi Ueda is back with some ambiguously playful posters
- Great design redressing scuzzy skate aesthetics for new totally rad boardsports mag
- Eric Shaw's abstract looped paintings start as digital sketches
- The Midlands folk who celebrate all-things American, shot beautifully by Tom Martin
- Matthew Brooks documents the eerie homes of mid-century Italian-Canadian immigrants
- A mind full of filthy ideas and creative brilliance: we visit Malika Favre
- The bizarre, twilight world of Berlin-based photographer Maxime Ballesteros
- Wieden + Kennedy Amsterdam and Colophon create typeface that works with the Earth's tilt
- The Anonymous Sex Journal is back, and this issue is all about wanking
- 12-year-old accidentally punches a hole $1.5 million painting
- Ely Dagher’s hypnotic and erotic animated vignettes for Model 86’s EP (NSFW)