“Martin Nicolausson is perhaps the only Swedish illustrator and graphic designer with the name Martin Nicolausson” begins his illustrator bio. “This is important as originality is one of his most admired principles.” Fortunately for Martin then originality is one aspect of his illustration which he has absolutely nailed, churning out work as he does. We’re huge fans, both for his assured combination of digital and nostalgia-influenced imagery and for his faultlessly bold colour palette.
We’re not the only ones either – a varied client list pays tribute to his unhesitating style, while his newer work for the Festival au Désert showcases a simpler, stripped-back side to his usually busy aesthetic. Whether this stylistic change marks a momentary respite for his busy brain or a more permanent change of pace, we’re not sure, but either way he does it very well.
- Brian Blomerth illustrates a “trippers guide” to the iPhone 64
- Alex de Mora on shooting Vice parties and famous footballers
- Natacha Paschal’s “deformed” interpretations of mag covers and fashion ads
- Leipzig graphic design studio Lamm & Kirch on their shared ethos
- Photographer Adrian Samson plays with space and perspective in this series of “still lifes”
- Photographer Sophie Green captures pagans at Stonehenge's summer solstice
- “Evolve or die”: Bloomberg Businessweek creative director Rob Vargas on the magazine’s redesign
- Southbank Centre visual identity redesigned by North, to be a “confident masthead” for the institution
- Photographer Khadija Saye has died in the Grenfell Tower fire, her family confirm
- The Buzzfeed redesign: UK art director Tim Lane talks us through his seven-month overhaul
- Alex Norris’ hilarious three-panelled webcomics are universally appealing
- Fresh Yale grad Franci Virgili applies an academic approach to graphic design