“Martin Nicolausson is perhaps the only Swedish illustrator and graphic designer with the name Martin Nicolausson” begins his illustrator bio. “This is important as originality is one of his most admired principles.” Fortunately for Martin then originality is one aspect of his illustration which he has absolutely nailed, churning out work as he does. We’re huge fans, both for his assured combination of digital and nostalgia-influenced imagery and for his faultlessly bold colour palette.
We’re not the only ones either – a varied client list pays tribute to his unhesitating style, while his newer work for the Festival au Désert showcases a simpler, stripped-back side to his usually busy aesthetic. Whether this stylistic change marks a momentary respite for his busy brain or a more permanent change of pace, we’re not sure, but either way he does it very well.
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich