“Martin Nicolausson is perhaps the only Swedish illustrator and graphic designer with the name Martin Nicolausson” begins his illustrator bio. “This is important as originality is one of his most admired principles.” Fortunately for Martin then originality is one aspect of his illustration which he has absolutely nailed, churning out work as he does. We’re huge fans, both for his assured combination of digital and nostalgia-influenced imagery and for his faultlessly bold colour palette.
We’re not the only ones either – a varied client list pays tribute to his unhesitating style, while his newer work for the Festival au Désert showcases a simpler, stripped-back side to his usually busy aesthetic. Whether this stylistic change marks a momentary respite for his busy brain or a more permanent change of pace, we’re not sure, but either way he does it very well.
- Retracing and recreating historic reggae record sleeves with photographer Alex Bartsch
- David Wilson directs deeply moving film B.E.N. about using AI robots to tackle loneliness
- Art and About: Charlotte Trounce celebrates the architectural beauty of museums and galleries
- Riikka Laakso’s screenprinted zine is a tribute to Moomin author Tove Jansson
- Sandy Van Helden’s illustrations of contemporary culture
- Bompas & Parr explores the strange world of sploshing (NSFW)
- Kodak returns to its 1970s symbol, joining the retrobrand bandwagon
- Kodak unveils the Ektra: its first ever smartphone
- Working Not Working reveals the top 50 companies creatives would kill to work for
- William Knight's socially conscious portfolio of graphic design
- Juan Aballe’s photographs of pastoral landscapes filled with wanderlust
- Exclusive first interview with new UK Vice.com editor Jamie Clifton