With more than 30 countries taking part in this year’s London Design Festival there’s a great opportunity to explore the creative offerings from cultures with which we are not familiar. How’s your knowledge of the Slovenian design scene for example? But it’s our antipodean cousins who have brought the most exciting show to these shores, with 30 Australian designers being showcased in the Matilda area at designjunction. Definitely worth a waltz through (sorry).
If first-rate craftsmanship is an international standard, then there are definitely discernible Australian qualities throughout the work on display here – it’s simple, fresh and quirky, reflective perhaps of the young, vibrant and dynamic creative scene that is coming out of a country so inspired by space, sea and sky.
Recent graduate Henry Wilson caught our eye with his reinterpretations of design classics, which he discusses below.
Charles Trevelyan’s Titanic Lamp cannot but raise a smile, Coco flip’s Coco Pendant lights are gorgeous and Stefan Lie’s Genie teapot is a beguiling mixture of the exotic and the familiar.
It may not be a design scene we hear an awful lot about, but on this evidence that may all be about to change.
- All of human life was there: welcome back to the Best of the Web
- Jody Barton's passionate and political work masters many disciplines
- A Hail Mary pass: how to win the ads at the Super Bowl
- February diary: Where to go and what to see
- Hey Studio’s athletic and geometric typeface for ESPN’s magazine
- Karl Hab’s hypnotic photographs taken out of a plane window
- The importance of creative education: why making is as important as maths, reading and science
- Why Fonts Matter, and how they impact your mood
- How to beat creative block: one designer offers his invaluable advice
- Pentagram’s dynamic and shifting identity for a Serbian digital arts festival
- PETA’s x-rated Super Bowl advert banned from TV (NSFW)
- Bureau Mirko Borsche works with Nike Basketball on a new graphic language