With more than 30 countries taking part in this year’s London Design Festival there’s a great opportunity to explore the creative offerings from cultures with which we are not familiar. How’s your knowledge of the Slovenian design scene for example? But it’s our antipodean cousins who have brought the most exciting show to these shores, with 30 Australian designers being showcased in the Matilda area at designjunction. Definitely worth a waltz through (sorry).
If first-rate craftsmanship is an international standard, then there are definitely discernible Australian qualities throughout the work on display here – it’s simple, fresh and quirky, reflective perhaps of the young, vibrant and dynamic creative scene that is coming out of a country so inspired by space, sea and sky.
Recent graduate Henry Wilson caught our eye with his reinterpretations of design classics, which he discusses below.
Charles Trevelyan’s Titanic Lamp cannot but raise a smile, Coco flip’s Coco Pendant lights are gorgeous and Stefan Lie’s Genie teapot is a beguiling mixture of the exotic and the familiar.
It may not be a design scene we hear an awful lot about, but on this evidence that may all be about to change.
- Twin brothers V/A/B on their “difficultly simple” approach to design
- The people’s choice, it’s Best of the Web!
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Lukas Korshan photographs Dulwich Hamlet FC, where you can “drink beer, stand up, and let loose"
- “The field is stretching itself bigger and bigger” - Jurgen Bey on design education and infinite possibility
- Peter Judson messes with depth perception in new personal project, Infection
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s