This year, the David Hockney exhibition transformed the exterior of the Royal Academy of Arts into a moving wall of flesh, travelling at approximately 0.25 miles per hour on weekdays. An extraordinary turnout and the combined cacophony of conversation and opinion from the public both inside and out of the gallery was the ultimate eavesdroppers dream.
Cue Matilda (“Mmaattiillddaa”) Tristram who made a wonderfully simple single frame, borderless comic of her visit featuring charmingly reproduced artwork and the illustrations of gallery goers. Overheard snatches include: “In a way it’s terrible… in a way it’s absolutely GORGEOUS!” and “She is sick at drawing” and “It’s a face, it’s a face” and “Why would they put these ones together?? I mean why?” Lovely stuff.
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich