This year, the David Hockney exhibition transformed the exterior of the Royal Academy of Arts into a moving wall of flesh, travelling at approximately 0.25 miles per hour on weekdays. An extraordinary turnout and the combined cacophony of conversation and opinion from the public both inside and out of the gallery was the ultimate eavesdroppers dream.
Cue Matilda (“Mmaattiillddaa”) Tristram who made a wonderfully simple single frame, borderless comic of her visit featuring charmingly reproduced artwork and the illustrations of gallery goers. Overheard snatches include: “In a way it’s terrible… in a way it’s absolutely GORGEOUS!” and “She is sick at drawing” and “It’s a face, it’s a face” and “Why would they put these ones together?? I mean why?” Lovely stuff.
- It's Nice That visits the Turner Prize
- Our Favourite Places is promoting the creative wealth of innovative Sheffield
- Meet tarot-obsessed Gucci illustrator Jayde Fish
- Julia Autz documents Transnistria, a country steeped in Soviet nostalgia
- Felicity Marshall, the illustrator merging editorial and fashion design
- Wow Factor: the eye-popping results of A Load of Jargon's printing workshops
- “Nymphomaniac” photographer Casper Sejersen's explosive images
- Anja Wicki's sarcastically sweet comic illustrations
- Logo Pizza is selling 50 ready-made logos that increase in price with each one sold
- Google and INT Works commission 19 illustrators to create over 500 works for Allo app launch
- The Gentlewoman’s art director, Veronica Ditting gives us a peek at her bookshelf