This year, the David Hockney exhibition transformed the exterior of the Royal Academy of Arts into a moving wall of flesh, travelling at approximately 0.25 miles per hour on weekdays. An extraordinary turnout and the combined cacophony of conversation and opinion from the public both inside and out of the gallery was the ultimate eavesdroppers dream.
Cue Matilda (“Mmaattiillddaa”) Tristram who made a wonderfully simple single frame, borderless comic of her visit featuring charmingly reproduced artwork and the illustrations of gallery goers. Overheard snatches include: “In a way it’s terrible… in a way it’s absolutely GORGEOUS!” and “She is sick at drawing” and “It’s a face, it’s a face” and “Why would they put these ones together?? I mean why?” Lovely stuff.
- Twin brothers V/A/B on their “difficultly simple” approach to design
- The people’s choice, it’s Best of the Web!
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Lukas Korshan photographs Dulwich Hamlet FC, where you can “drink beer, stand up, and let loose"
- “The field is stretching itself bigger and bigger” - Jurgen Bey on design education and infinite possibility
- Peter Judson messes with depth perception in new personal project, Infection
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s