Maya Fuhr first popped up on our radar with her incredible series Garbage Girls, in which she photographed girls in their very very messy bedrooms, to brilliant effect. She’s back now with a new project Diary Girls, made in collaboration with art director Nicole Dagenais. They shot some of their favourite female artists for the series for BULLETT Magazine – Agathe Snow, Jeanette Hayes and Sara Cwynar among them – in front of huge blown-up pages from the artists’ personal diaries. The resulting photographs are oddly exposing; secret reflections, drawings, collages and self-portraits all feature on the extracted pages, which function more like a window into the soul than simply a piece of artwork.
And this is exactly what makes Maya’s work so utterly original; her portraits hinge on the details, where other photographers are hell-bent on simply photographing a pretty face. Even more interestingly, by taking common preconceptions about girls – from messy bedrooms, to confessions about boys scribbled in their diaries – and exaggerating them to the point that they’re completely subverted, she’s creating a malleable and personal image of femininity that’s harder to capture than a thief in the night. We can’t wait to see what she does next.
- Submit Saturdays: Tips for Social Media
- New Originals: introducing the London Rollergirls
- The best things on the internet, readers' comments and who to follow on social media
- Our A-Z Guide to the UK's 2016 Graduate Shows
- LGBT in advertising: “What we need now is bravery"
- Images packed with life, leather and charm in Bex Day's new series for Pylot
- The new Sagmeister & Walsh website has a live feed from a snake enclosure and a new naked photo (NSFW)
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Sexual, surreal and disturbing: the weird work of super-skilled Claudia Maté
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"