The best thing about sitting round discussing illustrator Michelle Thompson’s work was that everyone found something different in it they loved – the sparing but effective use of colour, the typographic touches and the relevant but not heavy-handed responses to briefs were among the qualities we flagged up.
Of course the RCA graduate doesn’t need us to tell her how wonderful she is, having worked with the BBC, Penguin Books, The Guardian, Creative Review, and Angus Hyland of Pentagram, plus she illustrates a weekly column for The Globe & Mail in Toronto.
But why not add our voice to the multitude as her combination of traditional collage making and digital techniques produces work that is interesting, exciting and great to look at. She recently beat off stiff competition to scoop the Double Identity customised shoe design contest proving that she can turn her talents to pretty much anything.
- New Originals: introducing the London Rollergirls
- The best things on the internet, readers' comments and who to follow on social media
- Our A-Z Guide to the UK's 2016 Graduate Shows
- LGBT in advertising: “What we need now is bravery"
- Images packed with life, leather and charm in Bex Day's new series for Pylot
- Photographer Josh Cohen captures New York’s hidden gems
- The new Sagmeister & Walsh website has a live feed from a snake enclosure and a new naked photo (NSFW)
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Sexual, surreal and disturbing: the weird work of super-skilled Claudia Maté
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"