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Illustration

Mike Lemanski: Updates

Posted by Will Hudson,

Rounding off the week nicely is a great update from illustrator Mike Lemanski. Pictured here is an illustration representing Verizon for Fortune magazine from earlier this year, just one of a number of great new projects.

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Posted by Will Hudson

Will founded It’s Nice That in 2007 and is now director of the company. Once one of the main contributors to the site he has stepped back from writing as the business has expanded. He is a regular guest on the Studio Audience podcast.

Most Recent: Illustration View Archive

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    Let’s get this straight – no one uses colour pencils like Yann Kebbi. His rushing waves of familiar greens and reds depict street scenes filled with fumes, scowls, ageing pedestrians and whooshing movement – always with a dry happiness and a side order of mystery. Recently Yann’s wry depictions of human life have been featured in The New York Times and other prestigious rags, but some of his most interesting work lies in the personal sketches he whacks up on his blog for people like me to dribble at. The seemingly slapdash paintings of his family and the Hockney-esque sketches of the French countryside are exquisite, and proof that Yann has got so many more styles to try out yet before he perfects his repertoire.

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    Kristina Tzekova is an excellent testament to the belief that there’s no limit to what you can do with a packet of coloured pencils and a sheet of white paper. The illustrator recreates scenes from music videos and cult films in comic strip form, from Kanye West’s Bound 2 to Jim Jarmusch’s Mystery Train, and the results are the perfect cross between lo-fi doodles in the margin of a maths exercise book and Eadweard Muybridge’s pioneering photographic studies of motion. Simple though they may seem, her drawings are incredibly intricate, taking into account the continuity between each image just as scrupulously as they do the the details which easily have been missed, from the cheeky glint in an eye to the quirk of a top lip. Here’s hoping somebody picks up on Kristina’s work and makes them into a book sharpish!

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    Here at It’s Nice That we spend an awful lot of time talking about, thinking about and writing about creatives but ultimately we don’t get too many chances to really see what goes on in their day-to-day working lives…until now. Our new collaboration with super-cool eyewear brand Ace & Tate – who believe in great design and ultimate customer choice – is taking us inside the studios, and inside the minds, of a host of some of our favourite creatives.

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    Three cheers to Portuguese illustrator Marta Monteiro for executing what I would have believed to be an entirely impossible feat; creating a series about tiny, lilliputian women living in a giant world without it being even the slightest bit cutesy. Her miniature characters are practically heroines; tying up villains with cotton from a giant reel, transporting a slice of pizza on their shoulders and playing tug of war with spaghetti, and all in the style which has won Marta commissions from some of the great champions of illustration out there, including the New York Times and NoBrow. This series has even been awarded a gold medal by the Society of Illustrators in the category of commissioned work, so if you don’t take our word for how brilliant it is, take theirs! here’s hoping for dreams of Borrowers for nights to come.

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    They don’t come much sharper than Sara Andreasson, the Swedish illustrator who was on the site back in March but who has posted so much new work on her website that we see fit to feature her again already. The Swede has been hard at work, creating commissions for The Debrief, New York Times Magazine and Rolling Stone, toying with witty observations and reassuring block colour to demonstrate that she’s just as nimble whipping up images to suit a brief as she is with personal work. Her experiments with rasterisation and contrasting patterns are especially intriguing, hinting at a whole new technique which is ripe for exploration (and more of which can be seen of on her Tumblr.)

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    Julianna Brion is an editorial illustrator whose diverse portfolio houses projects for a bunch of fortunate clients. Like most creatives who make commissioned work though, when she’s not drawing to a brief she’s filling sketchbook after sketchbook with scrapbook-like doodles which are as beautiful, if not more so, than her finished images. Reclining figures, pastel dogs, picture-perfect houses and foliage all feature, rendered in a rainbow of acrylic paints and sketchy pencil. For me, looking at the sketchbook of a successful illustrator is kind of like peeping into the messy bedroom of an impossibly well-coiffed, super dapper gent. And who doesn’t like to be nosy?

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    Trust Helsinki-based illustration agency Agent Pekka to sign up some of the best illustration we’ve seen in a long while without so much as a cough to show it off! They’ve just added French illustrator Jean-Michel Tixier to their books, and he looks set to be an amazing addition.

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    When it comes to brightly-coloured multimedia creations Mike Perry is king, and as far as we’re concerned there’s little chance of anybody threatening to knock him off his throne any time soon. As if to strengthen his case, he’s just made My Mother Caught Me Doodling, a 160 page hardback celebration of the female form, which sees Mike create tribute after tribute to ladies. Naked ladies.

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    Considering it had been a while since I had had a proper delve through this great guy’s portfolio, revisiting his site was a refreshing reminder of just how talented Gwendal Le Bec really is. Sometimes people can be frowned upon for aping or mimicking a style from someone else but in Gwendal’s case it’s different as he successfully takes elements from all the most infamous illustrators of times gone by and adds them to his own style.

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    We’ve been harping on about what a terrific illustrator, and all-round cheery chap Ryan Gillett is for quite some time now, and it seems people have been taking notice. Ryan now counts the likes of Virgin, The Sunday Times, Anorak and Smith Journal among his many clients, who keep him busy at all hours on commissioned projects. It’s not hard to see why either; Ryan’s cheerful scenes made with the sensibilities of a traditional print-maker ought to excite even the most severe clients. But he still finds time to do the nice things that remind us what a stand-up guy he is; like producing screen printed postcards to send out to all his fans (including us). When they arrived the other week they brightened up our days, and also made us realise it was about time to praise Ryan once again…

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    Thank God for Laura Callaghan! In an illustrated world saturated with images of pretty girls sweetly baking cupcakes, making daisy crowns and chasing after boys, she injects a much-needed dose of the sinister femme fatale. Her characters have undercuts and piercings instead of being clad head to toe in lace, they read lesbian magazines instead of Vogue and they wear vials of their lovers’ blood round their necks. What more could you want from a role model?

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    Sergio’s back, and he’s as good as ever. With new tour posters for the likes of Mac DeMarco and Future Islands and a bundle of personal work, we decided to whack him and his pointy-nosed people up on the site once again. Retro and somehow futuristic at the same time, his prints steer clear of twee although smiley, bouncy-haired characters abound. Their massive forearms and John Lennon glasses say “I’m clever and I work hard” in a way reminiscent of early communist posters, mixed with a touch of The New Yorker; what a brilliant combination. I love Summer, a print of a sunbather on a beach gazing into a snow globe. It might not have occurred to Spanish Sergio, but to me this seems like a brilliantly British reaction to too much sun.

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    Roosje Klap and Mathias Schweizer have just finished work on a pretty extraordinary piece of digital collage for Dutch literary magazine De Gids – a publication that’s been in existence since 1837. The images on display propose rooms that reference literary voices of the past like Ovid and Baiga, compositing various erotic references into surrealist dreamscapes. The pair worked on them in tandem in the manner of an exquisite corpse – building on each other’s work in stages over time – only instead of strange little bodies as the final product, we’re met with what Roosje refers to as “graphic sex cadavre-exquis!”