There are many great films which whatever they purport to be about, are actually about co-operation. Cool Runnings? Co-operation. Independence Day? Co-operation. Reservoir Dogs? Well you get the idea, and the Third Annual Mill Co. Exhibition is further proof that co-operation is a belting theme for creatives.
Spread throughout the organisation’s impressive new east London space The Mill Co. Project, the show takes in graphic design, photography, illustration, film, photography and sculpture with some really top-notch work on display.
Both Eleanor Marechal’s handsome visualisations of Ebenezer Howard’s Garden City principles and Florence Boyd’s darker dog-based illustration tackle urban spaces in interesting ways while the wonderfully titled sorryimworking’s Instagram photographs capture co-operation of the natural and manmade worlds.
Rhiannon Adam showcases both a beautiful illustration of a flock of swallows and a photo documentation of some of the key buildings in the history of the co-operative movement and there’s a host of great prints from the likes of Tom Frost, Claire Scully, Toby Stevens and David Hazell.
The show, which runs until November 23, is in association with The Co-operative, so it’s eye candy with a social conscience. Yes please…
- Alasdair McLellan shoots Margaret Howell's AW15 campaign
- Innovative textures and techniques in campaign for Decca Classics inspired by The Stalker
- Beautiful editorial illustrations by painter Jean-Philippe Delhomme
- An absurd and unexpected series from Jordan photographer Tanya Habjouqa
- La Mouche et La Cloche's charming and musical identity for Association Irlandaise
- Designer, art director and book fanatic Ben Branagan shows off his bookshelf
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Rebecca Scheinberg comes pretty damn close to making perfect photographs
- Embracing the uncanny with photographer Nadia Lee Cohen (NSFW)
- Hello and welcome to the new look It’s Nice That
- Craig Gibson's photography is sincere and refreshing
- We ask some established creatives what they wish they'd learned at art school