There are many great films which whatever they purport to be about, are actually about co-operation. Cool Runnings? Co-operation. Independence Day? Co-operation. Reservoir Dogs? Well you get the idea, and the Third Annual Mill Co. Exhibition is further proof that co-operation is a belting theme for creatives.
Spread throughout the organisation’s impressive new east London space The Mill Co. Project, the show takes in graphic design, photography, illustration, film, photography and sculpture with some really top-notch work on display.
Both Eleanor Marechal’s handsome visualisations of Ebenezer Howard’s Garden City principles and Florence Boyd’s darker dog-based illustration tackle urban spaces in interesting ways while the wonderfully titled sorryimworking’s Instagram photographs capture co-operation of the natural and manmade worlds.
Rhiannon Adam showcases both a beautiful illustration of a flock of swallows and a photo documentation of some of the key buildings in the history of the co-operative movement and there’s a host of great prints from the likes of Tom Frost, Claire Scully, Toby Stevens and David Hazell.
The show, which runs until November 23, is in association with The Co-operative, so it’s eye candy with a social conscience. Yes please…
- Submit Saturdays: Tips for Social Media
- New Originals: introducing the London Rollergirls
- The best things on the internet, readers' comments and who to follow on social media
- Our A-Z Guide to the UK's 2016 Graduate Shows
- LGBT in advertising: “What we need now is bravery"
- Images packed with life, leather and charm in Bex Day's new series for Pylot
- The new Sagmeister & Walsh website has a live feed from a snake enclosure and a new naked photo (NSFW)
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Sexual, surreal and disturbing: the weird work of super-skilled Claudia Maté
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"