There are many great films which whatever they purport to be about, are actually about co-operation. Cool Runnings? Co-operation. Independence Day? Co-operation. Reservoir Dogs? Well you get the idea, and the Third Annual Mill Co. Exhibition is further proof that co-operation is a belting theme for creatives.
Spread throughout the organisation’s impressive new east London space The Mill Co. Project, the show takes in graphic design, photography, illustration, film, photography and sculpture with some really top-notch work on display.
Both Eleanor Marechal’s handsome visualisations of Ebenezer Howard’s Garden City principles and Florence Boyd’s darker dog-based illustration tackle urban spaces in interesting ways while the wonderfully titled sorryimworking’s Instagram photographs capture co-operation of the natural and manmade worlds.
Rhiannon Adam showcases both a beautiful illustration of a flock of swallows and a photo documentation of some of the key buildings in the history of the co-operative movement and there’s a host of great prints from the likes of Tom Frost, Claire Scully, Toby Stevens and David Hazell.
The show, which runs until November 23, is in association with The Co-operative, so it’s eye candy with a social conscience. Yes please…
- Twin brothers V/A/B on their “difficultly simple” approach to design
- The people’s choice, it’s Best of the Web!
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Lukas Korshan photographs Dulwich Hamlet FC, where you can “drink beer, stand up, and let loose"
- “The field is stretching itself bigger and bigger” - Jurgen Bey on design education and infinite possibility
- Peter Judson messes with depth perception in new personal project, Infection
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s