Once you get past the wonderfully colourful aesthetic of Misaki’s installations, paintings, drawings, clothes, statues and films, what really hits you is the sheer quantity of it all. In the same way that you may have up-ended your toy box when you were a little younger, it’s as if someone’s tipped Misaki upside-down and these fantastical creations have just come rolling out and bouncing around all over the world.
The best part is, it seems Misaki’s creations are getting bigger! Gone are the small paintings, welcome in the enormous room-filling sculptures and installations that would fill even the world’s biggest grump with a feeling of happiness and utopian joy. Keep going Misaki! Long may you continue to create what no one else possibly could.
- "Where’s my community?": Skin Deep and POC on the need for diversity in the film industry
- Jee-ook Choi conveys complex ideas using fine linework and muted colours
- Photographer Mehdi Lacoste on working with Actress
- French designer Victoire Coyon’s understated portfolio
- Unit Editions’ upcoming book on the unparalleled work of Paula Scher
- A creative composite of illustration: ten years of Christoph Ruckhäberle’s Lubok
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label