It’s common knowledge that in Iran attitudes towards women are largely defined by very traditional Islamic codes, but it’s not often you stop to think about how this really impacts on everyday life. This excellent new work by artist Mr. Toledano brings the far-reaching ramifications of this cultural conservatism to life in an unexpected way. He has sourced packaging from Iran which has had female figures inked out so as not to offend moral probity. By then decontextualising these oddly erased female forms, Mr. Toledano creates what he calls “A portrait not of a person, but of absence. Of suppression. A portrait of a point of view.” He adds: “The censor, a person whose function is to erase, becomes the person who makes us see.”
Thought-provoking brilliance from an artist we’ve long held in high esteem and a powerful series of works which raise important socio-cultural points.
- Curator Shonagh Marshall takes us through the highlights from Hair by Sam McKnight
- Yeji Yun’s imaginative zine combines frozen lands, whales and cocktails
- Zhang Kechun encapsulates the oblivion of China's mysterious Yellow River
- Artist Anna Valdez brings her eye for detail to digital painting
- Bold in its broadness, the work of Dave Singley
- Córdova Canillas seek inspiration between nostalgia and obsolescence for C de C annual
- Reasons Not To Do Graphic Design by Yotam Hadar
- Nostalgia in branding: top design studios analyse the NatWest and Co-op retrobrands
- Google and Monotype launch Noto, an open-source typeface family for all the world’s languages
- The only way is ethics: what are the moral obligations of a graphic designer?
- Rachel Levit illustrates contemporary relationships in new book
- Creative agency INT Works relaunches as Anyways, with a playful graphic identity