I’ve only just come across French creative agency Murmure and looking through its work can’t quite believe it’s taken so long. They have a bold visual vernacular which they apply with ambition and flair across everything from printed matter to bags, websites to walls. Nowhere is this better expressed than in Murmure’s work for the Nördik Impakt festival held in Caen (where Murmure is part based along with Paris).
Built around striking geometric patterns and a bespoke, music inspired typeface, the identity is stylish and recognisable, so much so in fact that its motifs can be applied to huge walls with little or no information about the festival. When visuals can be left to speak for themselves in this way you know you’re dealing with very strong, special graphic design work.
- Kii Monroe Arens' delicious gig posters
- Alex Paulus’ textured are full of misshapen characters in odd situations
- Taiwanese graphic designer Wang Zhi-Hong’s sublime cover designs
- Carmel Buckley and Mark Harris disect the album covers of calypso singer Mighty Sparrow
- Robots, rules and corporate identity: inside issue three of Japanese football magazine Shukyu
- It's alright, we're alright: the world through the lens of Blaise Cepis
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich