Natalie Sims’ design deals with a whole tonne of content, placing it in interesting arrangements based on a notion, theory or even a bilateral cipher system developed by Francis Bacon. Far from being random, the effect is unexpected, aesthetically referring to online image searches and offline heavy reference.
Having just emerged from a M.F.A in communications design at Pratt, Nathalie seems well-versed in her design language and can offer up equal weight to image and text. Her interest in subjects a little left of the normal design experience (as with her thesis Mystical stuff, auras and “collective enchantment”) are discussed and implemented intelligently throughout her portfolio and it’s with this seriously considered context that her work is able to explain her ideas so effectively.
- Hold Me Closer Tiny Dancer: the Stein sisters’ heart-warming film on child ballroom stars
- Three female art directors on collaboration, competition and confidence
- Pooneh Ghana’s ambient crowd and artist portraits from Pitchfork Music Festival make you wish you were there
- Julian Glander explains what a blockchain system is for MIT Technology Review
- “It’s a process of baby-making”: designing the horrific and hilarious multiverse of Rick and Morty
- Pouya Ahmadi uses typography to “bridge the gap between poetry, performance and space"
- The Sky Sports rebrand features bespoke type and refined logos across nine channels
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Applicants to UK arts and design university courses declines by over 14,000 this year
- Michael Bierut designs new brand identity for the Poetry Foundation
- Design, Revolt, Rainbow: the pioneering work of graphic designer Willy Fleckhaus