Natalie Sims’ design deals with a whole tonne of content, placing it in interesting arrangements based on a notion, theory or even a bilateral cipher system developed by Francis Bacon. Far from being random, the effect is unexpected, aesthetically referring to online image searches and offline heavy reference.
Having just emerged from a M.F.A in communications design at Pratt, Nathalie seems well-versed in her design language and can offer up equal weight to image and text. Her interest in subjects a little left of the normal design experience (as with her thesis Mystical stuff, auras and “collective enchantment”) are discussed and implemented intelligently throughout her portfolio and it’s with this seriously considered context that her work is able to explain her ideas so effectively.
- TFI the weekend! Here's the Best of the Web, as deemed by It's Nice That
- “Legs eleven, droopy drawers, dirty knees”: A clock that uses bingo calls instead of numbers
- Great new work for The New York Times and Bloomberg Businessweek from Oscar Bolton Green
- Dots, blocks and fades layered up in multifaceted exhibition identity for The Hague’s Royal Academy
- Patty Carroll’s bizarre photos hide women in chaotic, hand-built scenes
- Dougal Wilson’s Morris Dancing-heavy first music video in six years
- An insight into The Guardian’s newly released brand guidelines
- Art and architecture get exhibitions and galleries: graphic design should too
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here
- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- Photographing the choreography and chaos of the England cheerleading team
- Japanese artist Tatsuro Kiuchi is back with more beautifully finished illustrations