Not long ago we featured a man on the site who possessed such a mighty creative power that he moved us all deeply and it was generally acknowledged around the studio that he was an illustration sensation. His name was Nathaniel Russell. At that time he was preparing for a show in Paris that some friends of ours made an arduous 16 hour bus journey to attend, and by all accounts it was a most excellent show (we feel like damned fools for not getting on that bus with them).
Last night he launched another show of new work in New York, Instant Dust, that we were similarly aggrieved not to be attending. To placate ourselves, and those of you unfortunate enough not to reside in New York, we’ve got some shots of the work on display to serve as a little reminder of exactly why we’re so keen on Mr Russell and his friendly visual world. Anyone actually living in New York be warned, this is not one to miss so get down to the Ed Varie gallery or forever regret it.
- Living for the weekend, it's Best of the Web!
- The photographer archiving South Africa’s black lesbian community
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Friday Mixtape: Grammy award-winning Tinariwen curates a genre-crossing mix
- Designer Kara Zichittella talks about her typographically-led projects
- “Where’s my community?”: Skin Deep and POC on the need for diversity in the film industry
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label