Going back over our archive of posts on Nathaniel Russell you’ll find we’ve featured him – directly or indirectly – a total of nine times. This is the tenth. Sometimes we’ve looked at his multicoloured space capes, other times it’s been his giant drawings of potted plants, if not his exploration of wooden cut-outs, and there was one occasion where we asked him to write some nice words for our magazine. This time we’d like to look at his illustrations of California and marvel at his talent and the sheer variety of his work.
It’s the variety that really gets us going. Checking back in with Nat’s portfolio is like catching up for a drink with an old friend who’s had a really excellent year; there’s always exciting stories to be told, new ideas to be shared; at the end your admiration for them is renewed and you can’t wait to do it all over again. Here’s to your tenth feature Nat. And then here’s to 10 more.
- Meet the Swiss duo behind graphic design agency Cécile + Roger
- Offshore Studio on their publication re-appropriating the word “migrant”
- Photographer Damien Maloney on working intuitively and playing with reality
- “Prayer paintings, manga and motivational images”: Gitte Maria Moller's cryptic artworks
- Jad Hussein's tropical catalogue design for Paris exhibition Jamaica, Jamaica
- From Lemon Twigs to Laura Marling: Hollie Fernando’s painterly photography folio
- Alex Norris’ hilarious three-panelled webcomics are universally appealing
- Southbank Centre visual identity redesigned by North, to be a “confident masthead” for the institution
- The Buzzfeed redesign: UK art director Tim Lane talks us through his seven-month overhaul
- Fresh Yale grad Franci Virgili applies an academic approach to graphic design
- Instagram co-founder Mike Krieger on how to stand out
- Leipzig graphic design studio Lamm & Kirch on their shared ethos