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Four white cards are scattered across a background of colourful brochures. Each card features bold black text reading “ALMEIDA” above a different word: “PROVOKES”, “DELIGHTS”, “INSPIRES” and “SURPRISES”.

NB Studio's new look for London's Almeida Theatre is very impressive

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Date
30 March 2015

It’s often the case with design work that the final outcome is quite different in scope to the original brief. So it was for NB Studio, which was originally asked by the Almeida Theatre in London for a brand review and refresh. After what the studio calls “an intensive period of immersion and briefing sessions,” the NB team came back with a more wide-ranging proposal – “It was clear then that this was to be a bold re-brand rather than mere cosmetic enhancement,” they say.

The new look and feel is designed to reflect the theatre’s “boldness of purpose, contemporary relevance and ambition to challenge and question theatre” and from the stationery to promotional posters and even the external signage on the building itself, NB appears to have nailed it. In the wrong hands the idea of provocative design can be fairly cringeworthy, with clumsy attempts at visual iconoclasm that leave viewers feeling cold, bewildered or both. But NB has managed to create a solution that feels fresh and exciting without being jarring for the sake of it.

An animation in which bold black text on a white background shifts and flickers. The words “Almeida Theatre” appear in a heavy sans-serif font, with letters subtly changing and rearranging.
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NB Studio: Almeida Theatre

The white exterior of the Almeida Theatre is lit up at dusk. A modern glass extension houses a cafe where people sit at tables.
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NB Studio: Almeida Theatre

A poster for the Almeida Theatre production of “American Psycho”, described as “A New Musical Thriller”. A pair of headphones rests on two red, heart-shaped blobs that drip like liquid.
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NB Studio: Almeida Theatre

A programme cover for the Almeida Theatre featuring a portrait of a person in a suit and red tie. A chaotic red scribble obscures their face, with the words “I simply am-not there” written in the centre.
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NB Studio: Almeida Theatre

An open magazine spread featuring a series of portraits of a person dressed in 1980s corporate attire. The main image shows them adjusting a red tie against a bright red background. Four smaller portraits on the opposite page show the person in various poses and lighting.
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NB Studio: Almeida Theatre

An open magazine spread features a bold red headline that reads “The Making of a New Musical”. On the right, a person wearing sunglasses and a long trench coat poses with a closed black umbrella.
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NB Studio: Almeida Theatre

A poster for a production of “The Merchant of Venice” at the Almeida Theatre. It features a 3D render of a burger made entirely of polished gold.
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NB Studio: Almeida Theatre

A poster for the play “Mr Burns”, featuring a minimalist sketch of a profile wearing a crown. A bold yellow wash of colour fills the figure’s head and neck. The title “Mr Burns” is written in large, black block lettering. Text below identifies it as a “post-electric play by Anne Washburn” directed by Robert Icke.
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NB Studio: Almeida Theatre

A person holds a small white card against a plain grey background. The card features bold black text that reads “ALMEIDA PROVOKES”, printed upside down.
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NB Studio: Almeida Theatre

A brand guidelines sheet for the Almeida Theatre. It features the master wordmark, a set of brand colours including Pantone swatches, and typography samples.
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NB Studio: Almeida Theatre

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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