Years ago I dragged a picture of Devendra Banhart into my “babes” folder, then had a change of heart and made it into my desktop background, If only I had known then that this photograph was by one of the most unique and in-demand photographers working today then I probably would have bought his book Pulp Art Vol.I immediately and drooled over the psychedelic, babe-adorned pages.
How he does it exactly, I don’t know, but Neil has the knack of turning people – usually extraordinarily beautiful models – into 1970s B-movie-esque nymphs using his clever camera trickery. Throw in some rays of sunshine, lots of wild flowers, sci-fi clifftops and a fair bit of nudity and vintage guns and you’ve got one of the most impressive photography portfolios around. No wonder he’s been commissioned by the likes of Warner Bros., Wichita and Polydor to coat their musicians in the visual vibes of yore.
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here
- Upcoming Eduardo Paolozzi exhibition pairs key works with his daughter’s designs
- The brilliant Mat Maitland is back with more luxuriously surreal collages
- We chat to Snøhetta about designing banknotes, studio rituals and the problems with civic commissions
- Art and architecture get exhibitions and galleries: graphic design should too
- Candy colours, surreal scenes and unconventional couples in Bex Day's Manic Ovation series
- New Channel 4 identity by creative dream team of 4Creative, Jonathan Glazer, Neville Brody and DBLG
- A new stop-motion Honda advert took four months, dozens of illustrators and thousands of drawings
- Pentagram Partner Michael Bierut shares his wisdom on what makes a truly great logo design
- Photographing the choreography and chaos of the England cheerleading team
- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- Phwoar! Typophiles, swoon over this cornucopia of contemporary typography