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A white and blue passenger plane is parked on a grassy airfield next to a large hangar. To the right, a small dark shed sits beneath the branches of several large, leafy trees.

Publication: Nick Ballon's extraordinary new book documents the decline of Bolivia's once-proud airline

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Date
2 August 2013

“Then the nations around you that remain will know that I the Lord have rebuilt what was destroyed and have replanted what was desolate. I the Lord have spoken, and I will do it.” Now most of you godless lot probably won’t recognise that as Ezekiel 36:36, the biblical verse which is also the title for photographer Nick Ballon’s terrific new series.

Nick has long travelled between the UK and Bolivia, documenting facets of the South American country’s social and cultural fabric of with we would have otherwise been sadly unaware. But his latest project is his most ambitious yet, a study of the Lloyd Aéreo Boliviano, one of the world’s oldest airlines and for decades a real source of bombastic national pride in Bolivia. Sadly since it was privatised in 1994 it has slipped into decline as chronic mismanagement brought this once-great company to its knees.The remaining staff, who number only around 180 now, keep turning up day after day in the increasingly forlorn hope of some kind of salvation, or any potential windfall its final asset-stripping might lead to.

A teal blue book cover features a small central photograph of a blue fabric surface with a small object resting on it. Text above the image reads “Ezekiel 30–38” and text below reads “Nick Ballor”.
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Nick Ballon: Ezekiel 36:36

An open booklet featuring a blue cyanotype of an aerial map. A small white card is laid over the right page, featuring a red diagonal stripe and the handwritten text “AR-Pta”.
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Nick Ballon: Ezekiel 36:36

An open book laid flat against a grey background. The left page features a small, handwritten archival document, while the right page contains several paragraphs of printed text.
Above

Nick Ballon: Ezekiel 36:36

An open book displays two photographs of an industrial workspace. The left image shows large cylindrical drums on wooden supports, while the right shows a long workbench with technical equipment.
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Nick Ballon: Ezekiel 36:36

An open book shows two photographs side by side. The left image shows a room with a desk and chairs, while the right image shows a person in a dark naval uniform and cap standing before white curtains.
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Nick Ballon: Ezekiel 36:36

An open book displays two photographs side by side. The left image shows the empty interior of a futuristic, tubular corridor, while the right shows a cluttered workshop with various tools and equipment.
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Nick Ballon: Ezekiel 36:36

An open book displays two photographs side by side. On the left, a person stands against a plain background holding a blue folder. On the right, a room contains several decorative flags on stands and a desk.
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Nick Ballon: Ezekiel 36:36

An open book shows two photographs side by side. The left image shows a person standing in a warehouse surrounded by rows of blue and white plastic seating. The right image shows a sparse, bright room with a few wooden chairs and a tall, green metal stand.
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Nick Ballon: Ezekiel 36:36

An open book shows a photograph of five people sitting and standing in a small, cluttered office. They are positioned in front of a bookshelf filled with binders and folders.
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Nick Ballon: Ezekiel 36:36

Nick’s series (named after the only LAB plane still in operation) is a brilliant documentation of this strangely fascinating story, where some 20th Century themes – technological, political and commercial – go hand-in-hand with a very timeless narrative about pride, loyalty and hope. What I really like about the images is that that although very poignant – sometimes almost painfully so – Nick doesn’t chase ham-fisted metaphorical detail. We the viewer are given the space (and the respect) to make our own connections. In fact the sumptuous book designed by StudioThomson puts all the captions at the end, allowing us time to absorb the images before we quite know what we’re looking at.

The book also includes a great inset of some of the LAB’s brilliantly retro graphics (below), wrenching readers back to consider the company in its confident pomp.

Ezekiel 36:36 is available now, and an exhibition of the work is on show at London’s KK Outlet until August 31.

A person stands in a large warehouse surrounded by rows of aircraft seats. To their left and right, the seats are arranged in neat lines, some in white and others in blue.
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Nick Ballon: Ezekiel 36:36

A cardboard structure shaped like a cockpit is covered in printed images of aircraft control panels. Two office chairs face the installation in a brightly lit room.
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Nick Ballon: Ezekiel 36:36

A person in blue overalls reclines in a chair inside a bright, industrial workshop. Behind them, three large cylindrical machines rest on heavy wooden frames with wheels.
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Nick Ballon: Ezekiel 36:36

A boardroom with wood-panelled walls and a matching ceiling. A large banner hangs on the wall featuring a plane and the text “Lloyd Aereo Boliviano”.
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Nick Ballon: Ezekiel 36:36

Stacks of tied paper bundles and archives fill a bright room with white pillars. The documents are piled high on the floor and crowded onto wooden shelves.
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Nick Ballon: Ezekiel 36:36

A group of people stand in a concrete courtyard, listening to a person in a grey blazer who gestures with their arms. Behind them is a large industrial building with a striped facade, shaded by overhanging trees.
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Nick Ballon: Ezekiel 36:36

A white and blue plane sits parked on a grassy airfield. Behind it, a large hangar stands under a pale blue sky, partially obscured by leafy trees and a bare, skeletal tree.
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Nick Ballon: Ezekiel 36:36

An illustration of a blue envelope with a red diagonal stripe across the centre. Handwritten text in blue ink reads “AR - Pte.” over a lined background.
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Nick Ballon: Ezekiel 36:36 (graphic inset booklet)

A white publication cover featuring a small, red-tinted portrait of a person in a rounded frame. Red text at the top reads “Edition 36:36 Bookset”, with smaller black text below detailing the edition and publisher.
An open book shows a blue-toned image of a person walking up a plane ramp on the right. The left page features a stack of blue documents overlaid with the red text “BUSINESS Class”.
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Nick Ballon: Ezekiel 36:36 (graphic inset booklet)

An open booklet featuring Mickey Mouse on the left page, arched under the blue text “LA INCREIBLE MAGIA DE DISNEY”. The right page shows a red semi-circle over a repeating blue pattern of “VIP” logos.
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Nick Ballon: Ezekiel 36:36 (graphic inset booklet)

An open booklet featuring a duotone image in red and blue. Three people sit around a table cluttered with bottles of alcohol in a lounge setting.
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Nick Ballon: Ezekiel 36:36 (graphic inset booklet)

A blue-tinted photograph of an aircraft cockpit, printed across a folded white page. The image shows a detailed dashboard of dials and switches, with the numbers “1”, “2” and “3” highlighted in red.
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Nick Ballon: Ezekiel 36:36 (graphic inset booklet)

An open booklet featuring four blue-toned photographs of people in a field with plumes of smoke. A bold red flame graphic is laid over the centre of the pages.
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Nick Ballon: Ezekiel 36:36 (graphic inset booklet)

An open booklet featuring four blue-toned photographs. A red rectangular banner across the centre reads “EMERGENCIA”.
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Nick Ballon: Ezekiel 36:36 (graphic inset booklet)

An open booklet showing a blue-tinted photograph of four people standing together on the right page. The left page features three red circular stamps with a bird logo and the words “AUTORIZADO PARA PARQUEAR”.
Above

Nick Ballon: Ezekiel 36:36 (graphic inset booklet)

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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