With the socio-cultural rise of China and India over recent years, we are constantly being told that sooner our later the gap between east and west will need to be bridged. A new project by entrepreneur ShaoLan Hsueh and illustrator Noma Bar is setting out to do just that by helping non-Mandarin speakers pick up some of the language’s basic building blocks. ShaoLan and Noma developed a set of easily recognisable illustrated symbols which both individually and in conjunction with each other help learners create a set of words and phrases.
This week sees the launch of an ambitious one-month Kickstarter campaign to raise £75,000 for a Chineasy book, which it is hoped will open up this innovative approach to language-learning to a much wider audience. Whether they make it or not (and we sincerely hope they do) it’s great to see illustration harnessed for such potentially significant ends.
- My First: Colophon and Sophie Mayanne talk about the themes of their book, Twenty-Two
- Patrick Kyle uses analogue and digital techniques in these pared-back illustrations
- Audrey Weber’s eccentrically enlarged figurative illustrations
- Hanne Berkaak’s deeply moving and sensitive animation tackling self-harm
- The Smudge: Clay Hickson and Liana Jegers launch publication in reaction to US presidential result
- Set designer Gary Card on the importance of being a chameleon
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio