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A black and white portrait of a person is set within a bold red frame. A piece of red and gold patterned lace is laid over the top of the image, held in place by a black clip.

Murmure creates a glitchy identity for Nördik Impakt music festival

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Date
16 June 2016

For the past five years Caen and Paris-based creativity agency Murmure has created the identity for Nördik Impakt, a festival dedicated to independent and electronic cultures. For the 17th edition of the event, the designers wanted the identity to reflect on the evolution of the sound.

“We consider electronic music to be a genre which has greatly changed over the past few years. It has become rich, elegant and edgy,” says artistic director Julien Alirol. “At a cross between fashion (textile design), object design (Memphis design influences), and digital graphic styles (glitch), we therefore wanted to design an identity that matched all of these elements.”

Using a tight palette of black, red and gold the new identity is used across digital, printed and textile marketing and merchandise. The abstract patterns that were developed by the agency are used to unite and disrupt the design in all its formats. “We were inspired by materials that were created during the Memphis design movement. This 1980s revival interests us for its fashion aspect, but also its choice of colours. We like the evenness of masses and false graphic simplicity in these patterns,” says Julien. “We wanted to achieve a similar effect to this by designing a more organic pattern to secure a more viral use out of it (such as its appearance on typographic designs). We then added a touch of elegance and brightness with geometric and numerical shapes.”

A 3D render of the letters “NDK” in black against a white background. The letters are partially obscured by jagged, organic shapes that look like crumpled foil or rock.
Above

Murmure: Nördik Impakt

A collection of branding materials for “Nordik Impakt” laid out on a black surface. The set includes a magazine open to a page titled “SCÈNE BASS MUSIC”, a smartphone, badges and printed cards.
Above

Murmure: Nördik Impakt

A stack of black business cards rests on a dark surface. The top card features a scattering of small, gold-foiled dots and marks across its surface.
Above

Murmure: Nördik Impakt

Several red envelopes with gold foil patterns are scattered across the frame. The gold detailing creates a dense, organic texture across the bright red paper.
Above

Murmure: Nördik Impakt

Several red and black posters are scattered across a dark surface. One clearly shows the title “NÖRDIK IMPAKT” above the date “21 + 24 OKTOBER 2018” and the location “CAEN – NORMANDIE”.
Above

Murmure: Nördik Impakt

A high-contrast black and white abstract pattern. Organic, white speckled shapes are scattered across a black background, resembling static or a microscopic view of cells.
Above
Left

Murmure: Nördik Impakt

Right

Murmure: Nördik Impakt

A high-contrast black and white abstract image. Organic, ink-like shapes swirl and splatter across a white background.
Above

Murmure: Nördik Impakt

An abstract black and white illustration of jagged, interlocking lines and splatters. The organic shapes create a dense, chaotic pattern across a plain white background.
Above
Left

Murmure: Nördik Impakt

Right

Murmure: Nördik Impakt

A high-contrast black and white abstract image featuring organic, swirling shapes. The composition resembles a marbled texture or a microscopic view of biological cells.
Above

Murmure: Nördik Impakt

A black T-shirt featuring a large, diamond-shaped graphic of a high-contrast, marbled black and white pattern. Small white text along the edges reads “NORDIK IMPAKT” and “21 + 24 OCT. 2015”.
Above

Murmure: Nördik Impakt

A red vinyl record and its matching sleeve set against a dark grey background. The sleeve features the letters “NDK” in a textured, black distressed font.
Above

Murmure: Nördik Impakt

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About the Author

Owen Pritchard

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Owen joined It’s Nice That as Editor in November of 2015 leading and overseeing all editorial content across online, print and the events programme, before leaving in early 2018.

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