• Opinion

    Opinion: The Dandy goes digital, and that’s absolutely fine.

Opinion

Opinion: The Dandy goes digital, and that's absolutely fine

Posted by Liv Siddall,

Liv Siddall talks about the Dandy’s recent switch to digital, and urges the public to stop moaning about the past and get on with downloading the future. Oh and why Desperate Dan might be a bit weird…

You’ve probably been aware in the last few weeks of a Tweets and Facebook statuses, nay pub chats, proclaiming horror at the news of childhood comic The Dandy making the ominous switch to digital. You may have, like me, been initially a little dispirited and tempted to have a little rant about the good old days when you took your 30p pocket money to the village shop to pick up the latest weekly comic. But is it really such a shame?

For those who have been outraged enough to actually Tweet about it, perhaps ask yourself when was the last time you reached in past the stacks of crossword books and bogus issues of Love It! to get your precious, weekly comic? You’ll probably find that it’s been so long since you actually read a Dandy strip that the characters look very different to how you remember them, and that the stories are a bit dated and disturbing. Strange, enormous man living alone and hankering for his next hit of Cow Pie?

Mmm, sounds great. Funnily enough, it was the loss of Desperate Dan when he “retired” back in 1997 that made Twitter-free outcry bring him right back, only then to be surrounded by comics containing such TV celebrities as Jamie Oliver, Cheryl Cole and (gulp) Jeremy Clarkson — presumably for quite a bit of cash to keep the comic in print. Not surprisingly, children didn’t respond so well to Clarkson replacing Beryl The Peril, and subsequently the publication made a drastic loss and they were forced to re-think.

What we can now look forward to is a financially stable weekly comic that doesn’t have to resort to face-clawingly bad promo-strips in order to keep itself afloat. Also, correct me if I’m wrong but we’d be far more likely to download some comic strips and have a flick through them on the tube on some sort of digital device than actually go into a newsagent, buy a comic and potentially look a bit creepy.

The best part is that both the Beano and The Dandy are still creating annuals, which bring in a surprising amount of profit year by year. These enormous, hardback books full of quizzes, readers’ letters, photos and, of course, the best comic strips of the year are something we can read, collect, and pass on. Let’s all look forward to receiving a dose of nostalgia for Christmas and keeping a good, British staple afloat — but please, let’s take the time we would spend whinging about the loss of the weekly comic to actually download one and give it a read.

comments powered by Disqus
Ls-300

Posted by Liv Siddall

Liv joined It’s Nice That as an intern in 2011 and worked across online, print, events and latterly Features Editor before leaving in May 2015.

Most Recent: Opinion View Archive

  1. Marcel-ingloriousfruits-itsnicethat-list

    After the Design Museum names its six category winners for the 2015 Designs of the Year, Rob Alderson argues that the victor in the graphics section is a very worthy winner. You can add your thoughts using the comment thread below.

  2. List

    Ben Tallon’s new book explores the difficult transition to going freelance which many in the creative world make, and by which many more are tempted. To mark the publication of Champagne and Wax Crayons Ben has written a piece about how he found taking that giant leap. You can add your thoughts below…

  3. Grayson-perrys-dream-hous-007-list

    A few years ago, you wouldn’t have expected Channel Four to show a documentary about a cross-dressing artist making a house in Essex on a Sunday evening. But that’s the magic of Grayson Perry: there’s no such thing as low and high culture, no such thing as people not being “into” art, no such thing as stereotypes.

  4. List_sarah_lucas_i_scream_daddio_its_nice_that_

    One of my favourite exhibitions of the last few years was Sarah Lucas’ Whitechapel show, described by The Guardian as “Breasts, bums, blokes and their bits.” Naturally, I was thrilled when Sarah was announced as the artist creating the British Pavilion at this year’s Venice Biennale. Like the work of Jeremy Deller, the artist chosen in 2013, Sarah’s art can be messy and funny and fearless. It’s hard to make sense of, and big issues are frequently masked with a wry humour. Britain could be said to be the same; for all our perceived stuffiness, as a nation there’s a gloriously dishevelled side – a bold sense of “why the fuck not,” experimentation and our famed eccentricity which has made such a small place such a big deal when it comes to creativity.

  5. Oliviacharlesworth-itsnicethat-1

    At a time when debates surrounding art and design education and the way they prepare students for the creative industries are intensifying, Kingston University tutor Zelda Malan explains why it’s still so important that creative courses continue to teach ideas. You can add your thoughts using the comments thread below…

  6. Marianbantjes-designawards-itsnicethat-list

    It’s design award season (like the film world equivalent but fewer red carpets and more pictures of people staring at posters) and as ever the winners will be much discussed across the creative industries. But genuinely useful advice for those who enter has been thin on the ground, until now. Having relaunched her website, the brilliant Marian Bantjes has also started a new blog (huzzah!) and recently wrote a series of tips for those designers putting their work up for awards, based on her extensive experience as a judge. You can add comments below, or just soak up the wisdom…

  7. Newswall-itsnicethat-list

    Yesterday saw the launch of a brand new form of news presentation by Channel 4 in 4NewsWall – a Tumblr-hosted website dedicated to the day’s top news stories, listed chronologically, with each presented by a GIF. Thought up by 4Creative’s Jack Croft and Stacey Bird and developed by the creative team, it’s flashy, image-led and uncluttered – with each GIF offering a click-through button to a more detailed report – and looks set to be an interesting and exciting progression for news journalism.

  8. Graphicdesign_-opinion-itsnicethat-list

    A couple of months ago there was a lot of interest in this survey in which clients described the four worst types of creative agencies as they saw it. Now we have a chance to hear from the practitioners themselves, by way of Graphicdesign&’s in-depth industry study. Lucienne Roberts and Rebecca Wright have partnered with social scientist Nikandre Kopcke to create a questionnaire which explores “practice, perceptions and prejudices alongside the usual questions about age, education, work and pay.”

  9. List

    It’s fast approaching the time of all-nighters (not the fun ones), tears, last-minute panics and all the other things that come with the end of learning and the impending beginning of the terrifying thing they call real life. But like the mum that tells you you’re always the best and most talented and most beautiful, or the best friend that bursts into your house and pops the kettle on/pours the gin, we’re here to remind you of some of the advice that might be able to help you.

  10. Stevedaniels-hero-list

    There is an awful lot of discussion around starting a new magazine and for many creatively inclined people it remains one of their foremost ambitions. Last week Makeshift founder Steve Daniels wrote an excellent blog about the things to consider when planning a new publication, and in doing so summed up many things we too feel are important. Steve’s now become an advisor to the title he founded, a move which maybe gives him a little extra distance to write “not a guide to the nuts and bolts of finding a printer and selling subscriptions but a contemplation of the major elements that will set you up for success.”

  11. Kingadz-autenticity-list

    In the branding and advertising world, authenticity seems to have become the Holy Grail. Seemingly melded to whatever people need it to convey, it’s become a buzzword whose significance has mushroomed while its meaning has all but vanished. With this in mind King Adz, aka Adam N. Stone – whose new book Unbrandable is out this summer – considers what authenticity really means in a contemporary creative context. You can add your thoughts using the comment thread below…

  12. Kinfolk_14.cover

    The latest issue of Gym Class magazine has an eye-catching cover; with bold block capitals on a black background spelling out: “Nobody cares about your oh-so-cool, Kickstarted, tactile, minimalist unoriginal magazine.” It’s intended as a “call to action,” Gym Class editor Steven Gregor told MagCulture, “make magazines, and make them exceptional.”

  13. Applewtach-list-int

    The Apple Watch was officially unveiled yesterday (as was a super-thin 13.1mm new MacBook) and as ever the internet is awash with run-downs and reactions slobbering over the new products. For Wolff Olins design director Jan Eumann though, the imminent arrival of the new timepiece got him thinking about logo design, and in particular how app buttons have rehabilitated the logo. You can add your thoughts using the comment thread below…