Launch Recite Me assistive technology
A curled white poster reads “OSLO DESIGN FAIR” in bold black type. Below the text are vibrant, colourful shapes with polka dots in green, orange and purple.

Bielke&Yang creates bright, playful Oslo Design Fair identity

—
Date
4 September 2015

When you think Scandinavian design, you think clean, white minimalism. But some new designs for Oslo Design Fair manage to take that clean aesthetic and inject a bit of colour and playfulness into it, courtesy of Bielke&Yang. The agency, which is also based in Oslo, created a custom typeface based on traditional Grotesk sans serifs for the event, but using “subtle yet recognisable contemporary touches that balance the tone of the identity between the past and present," according to the agency. The typography was created with Bobby Tannam.

Bielke&Yang adds: “This year’s identity plays on the idea of extracting abstract patterns, colours, shapes and forms from the diverse range of products, materials and textiles.” It’s a neat, legible but fun look and feel that uses illustrations by Magnus Voll Mathiassen within the letterforms spelling out ODF, aiming to reflect the eclectic nature of the designs the fair showcases.

A person carries a cream canvas tote bag featuring a colourful, patterned graphic that reads “Oslo Design Fair”. The letters “O”, “D” and “F” are filled with various geometric prints and textures.
Above

Bielke&Yang: Oslo Design Fair identity

Three people hold up large posters that together spell “ODF”. Each poster features the “Oslo Design Fair” wordmark and a large, colourful letter filled with bold patterns.
Above

Bielke&Yang: Oslo Design Fair identity

A person stands against a grey concrete wall, holding a large white poster. The poster reads “Oslo Design Fair” above a large, colourful letter “D” filled with dots and stripes.
Above

Bielke&Yang: Oslo Design Fair identity

Share Article

Further Info

About the Author

Emily Gosling

—

Emily joined It’s Nice That as Online Editor in the summer of 2014 after four years at Design Week. She is particularly interested in graphic design, branding and music. After working It's Nice That as both Online Editor and Deputy Editor, Emily left the company in 2016.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.