Issues around digital and print media, information overload and our changing habits of consumption tend to be mired in fairly dry academic debates, so it’s nice to see a project exploring them in a more creative way.
Out of Print was a collaboration between James Cuddy, Roma Levin, Danilo Di Cuia and Goldsmiths BA Design students during last week’s London Design Festival. Using an application which conflated and confused trending news stories, they created hybrid-headlines which were then printed on a custom-made letterpress.
They said: "With the growth of digital media we are faced with unprecedented levels of data. We now find ourselves at a saturation point. By attempting to consume ever more, we end up understanding less. In this context, we find news and media redefined to fit our shortened
attention spans. How do we make sense of all the information we consume and not get lost in the process?
“Both the print process and the software can produce unexpected results. The distortions and juxtapositions in language create headlines that are profound and confusing in equal measure; not unlike our evolving relationship with digital media.”
The resulting prints are really nice-looking objects as well as being an interesting contribution to the on-going attempts to make sense of this information evolution.
- Camelot’s typefaces bring both the contemporary and historical to the table
- Scott Newett’s eerily quiet, ethereal portraits of Chinese utopia
- Jade Schulz’s atmospheric and imaginative editorial illustrations
- Emiliano Granado’s new zine puts a fresh spin on Tour de France fandom
- The big cover up: Mathieu Tremblin's translations of graffiti
- Artist Howard Fonda captures the vibrancy of summer for Ace & Tate
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale