Here is a portfolio with an emphasis on printable material presented on a smart, colour-changing website that proves Paul Bernhard has the new-tradition for graphic design nailed; which is to say it works as well online as it does offline no matter what medium it was designed for.
The posters and books and anything else physical have real object value especially his use of colour which, as elemental expressions, are treated compositionally like type and are vibrant and fun, allowing the actual text to be deceptively discrete while presenting a great amount of information. Such is the new school of design that the attitude of the work is all-things-considered with its maker taking on the role of designer-as-editor.
- TFI the weekend! Here's the Best of the Web, as deemed by It's Nice That
- “Legs eleven, droopy drawers, dirty knees”: A clock that uses bingo calls instead of numbers
- Great new work for The New York Times and Bloomberg Businessweek from Oscar Bolton Green
- Dots, blocks and fades layered up in multifaceted exhibition identity for The Hague’s Royal Academy
- Patty Carroll’s bizarre photos hide women in chaotic, hand-built scenes
- Dougal Wilson’s Morris Dancing-heavy first music video in six years
- An insight into The Guardian’s newly released brand guidelines
- Art and architecture get exhibitions and galleries: graphic design should too
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here
- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- Photographing the choreography and chaos of the England cheerleading team
- Japanese artist Tatsuro Kiuchi is back with more beautifully finished illustrations