Here is a portfolio with an emphasis on printable material presented on a smart, colour-changing website that proves Paul Bernhard has the new-tradition for graphic design nailed; which is to say it works as well online as it does offline no matter what medium it was designed for.
The posters and books and anything else physical have real object value especially his use of colour which, as elemental expressions, are treated compositionally like type and are vibrant and fun, allowing the actual text to be deceptively discrete while presenting a great amount of information. Such is the new school of design that the attitude of the work is all-things-considered with its maker taking on the role of designer-as-editor.
- Parallel Teeth's cheery world of egg eyes, animated cut-outs and weird illustrated characters
- Will Dohrn directs dreamy video “Ribbons” for Club Kuru
- Inès Longevial’s deliciously rich geometric paintings
- Illustrator Richard Ellis’ joyfully large-breasted and bare-bottomed characters
- Graphic design grad Georgia Cranstoun reconsiders authorship with a “bootleg” book
- Bohuy Kim’s “strange but splendid” poster designs
- Petition launched against winner of Foam Paul Huf photography award for “stereotyping and sexism”
- Exclusive: rediscover graphics from Fiorucci’s archival 1984 Panini collaboration
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Me & EU project will send creative postcards across Europe on trigger date of Article 50
- Phaidon book gathers together 500 of the most iconic graphic designs of all time
- Atelier Brenda: the alter ego of three female designers you need to get to know