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A comic strip illustration of a dense green forest. A small, dark figure with a wide hat walks through the trees before a red flash appears in the final panels.

Pedro MS' illustrations are inspired by strange characters, sci-fi and video games

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Date
26 February 2019

Bombarded by the strange characters and fascinating world of video games as a child, Portuguese illustrator Pedro MS says this formed the initial foundations of his artistic pursuit: “At an early age that kept my imagination flowing,” he tells It’s Nice That. “It’s probably the main reason I decided later in life to become an illustrator.” These early interests were quickly followed by a fascination with comic books that led to Pedro choosing to study visual arts in high school and later graphic design at university.

Rarely utilising illustration during his degree, Pedro says he fully invested in the medium only after leaving education. But, because of this, his initial foray into drawing resulted in simplistic characters with no background and only basic colouring: “I realised I was a few big steps behind where I wanted to be at that time… That’s when I started to explore the vintage look of old ephemera.” Influenced by the halftones, textures, errors, overprints and paper stock, Pedro began incorporating these aesthetics into his own work. “My work gained that extra something that I thought it was missing,” he says. “To me, it looked like something that could belong in the past and in the present at the same time and I liked that idea, so I have been exploring this new style ever since.”

Two illustrations side by side. The first shows a thick, black winding line across a teal and grey gradient, with a pink circle and a pink creature in the corner. The second features a yellow stippled background with a small blue square containing a dark hole, and a small figure with a wide smile below.
Above

Pedro MS: Feeling Like a Worm & Mr. B

Made using pencils, black gel pens, brushes, black Indian ink and Photoshop, Pedro’s bizarre creatures are fascinating and mysterious, bordered by the warmth of old, oxidised paper. Referencing the panelled layout of comic books, Pedro explains that he has learned how to communicate an idea through combining smaller elements in his composition, as opposed to encapsulating narrative within a single image.

It’s the ambiguity of his illustrations that Pedro really treasures, however. Speaking on the dystopian stories of science fiction and horror that he looks to for inspiration, Pedro says that “most of these stories are shrouded in mystery and that is what I truly love – a story not fully explained, a character with an unknown past, a world that is so complex but we know so little.”

Looking forward, the artist says that he is currently working on his own comic book – the image captioned Dead Trees (WIP) is an extract from this – which is still in the early stages. Once finished, this will bring him closer, he hopes, to his dream of being able to live exclusively from his creative work: “That is my only objective."

An illustration of a figure with a round red head and red feet, wearing oversized grey trousers. The figure stands against a solid black background.
Above

Pedro MS: Red & Black 1

Three screen prints in red, black and grey. One shows a syringe filled with red liquid, another features a dark figure under the word “VULNERABLE”, and the third shows a stylised face against a red background.
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Pedro MS: Red & Black 2

Three pixelated illustrations on aged paper. The top image shows a red brick wall with a black figure peering through a gap. Below, one image shows eyes behind bars with the text “Imprisoned by shame”, and another shows a stylised face with three eyes.
Above

Pedro MS: Red & Black 3

A graphic illustration divided into a grid of abstract, geometric rooms in red, grey and cream. Small black labels read “locked in an empty room”, “no door”, “no windows”, “no light” and “nothing”.
Above

Pedro MS: Red & Black 4

Two blue and white Risograph prints showing a stylized urban scene. A dark figure looks out from a window above a blocky building in the first, while the second shows a top-down view of the same architecture.
Above

Pedro MS: Metropolis

A comic strip page divided into two sections. The left side features green, organic shapes and swampy landscapes with the text “DEEP IN THE SWAMPS OF MNAR”. The right side uses a red and pink palette, showing surreal, worm-like creatures with eyes and the text “WORMS OF THE EARTH”.
Above

Pedro MS: Worms of The Earth

An illustration of two black, distorted figures on a white background, styled as scientific diagrams. The first is labelled “fig.1 ancient alien lifeform, source of the Red Plague” and the second “fig.2 adult humanoid infected with the Red Plague”. Red lines point to various anatomical anomalies, including a “swollen brain”, “giant lumps” and “rotten skin”.
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Pedro MS: Red Plague

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About the Author

Daniel Milroy Maher

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Daniel joined It’s Nice That as an editorial assistant in February 2019 and continues to work with us on a freelance basis. He graduated from Kingston University with a degree in Journalism in 2015. He is also co-founder and editor of SWIM, an annual art and photography publication.

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