Weird is a word that’s applied lazily to anything that’s even vaguely out of the ordinary. You start chatting to a stranger on the bus: “Weird!” You have a dream where you’re in your house, and it doesn’t look anything like your house, but all your family live there and you have your own room so it must be your house: “Weird!” You take a new route on the walk home from work for no particular reason at all: “Weird!” None of these things are weird you damn fools. Weird is MUCH more exciting than that.
You know what’s weird? Penelope Gazin’s illustrations. They feature men vomiting green slime on women, winking breasts licking each other, a man with a yonic face chewing seductively on his lover’s hand and a pale blue woman floating in a vat of meat. That’s proper weirdness right there! In fact Penelope’s work is so weird that I’m borderline convinced she’s not a real human woman. In my mind she’s like Lisa Marie’s character in Mars Attacks!, waiting to bite your hand off as soon as you realise she’s not actually of this world. You mark my words, your hands are not safe!
- "Where’s my community?": Skin Deep and POC on the need for diversity in the film industry
- Jee-ook Choi conveys complex ideas using fine linework and muted colours
- Photographer Mehdi Lacoste on working with Actress
- French designer Victoire Coyon’s understated portfolio
- Unit Editions’ upcoming book on the unparalleled work of Paula Scher
- A creative composite of illustration: ten years of Christoph Ruckhäberle’s Lubok
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label