When we first featured Philippe Jarrigeon’s portfolio of photography we completely fell in love with his high-fashion aesthetic, curiously applied to food photography. We’d never seen anything quite like it and his zesty compositions of vibrant oranges fast earned him a comfortable place in our 2012 Annual.
Since then Phillipe’s practice has drifted into the sublime and surreal, maintaining that same sartorial elegance but applying it to an increasingly varied selection of subjects. In his recent work for Double Magazine he’s lovingly dressed church effigies in the trappings of contemporary fashion, decked out in oversize glasses, garish plastic hats and toting the very finest selection of cosmetics. It’s a mad old collection of images but good lord do we love them.
- Another week over, it's Best of the Web!
- Joseph Harmon's warped intricate works unveiled at new show in Brooklyn
- Sophie Littman captures the underlying awkwardness of a village orchestra
- New York-based agency T&T&T are in it for “$$$$$, fame and graphic bliss”
- The psychedelic world of Dexter Navy
- Photographer Ilyes Griyeb takes us to Senegal's salt lakes
- Trump protest pins by Sagmeister & Walsh, Hort, Olimpia Zagnoli and more
- “Nymphomaniac” photographer Casper Sejersen's explosive images
- Kalen Hollomon's collages mix sex with fortune cookies
- Graphic designer Timo Lenzen fuses hyperreal, architectural forms with vivid colours
- Google and INT Works commission 19 illustrators to create over 500 works for Allo app launch
- Anja Wicki's sarcastically sweet comic illustrations