When we first featured Philippe Jarrigeon’s portfolio of photography we completely fell in love with his high-fashion aesthetic, curiously applied to food photography. We’d never seen anything quite like it and his zesty compositions of vibrant oranges fast earned him a comfortable place in our 2012 Annual.
Since then Phillipe’s practice has drifted into the sublime and surreal, maintaining that same sartorial elegance but applying it to an increasingly varied selection of subjects. In his recent work for Double Magazine he’s lovingly dressed church effigies in the trappings of contemporary fashion, decked out in oversize glasses, garish plastic hats and toting the very finest selection of cosmetics. It’s a mad old collection of images but good lord do we love them.
- Steve Powers' New York street signs offer an alternative perspective
- Rebecca Scheinberg comes pretty damn close to making perfect photographs
- Hamburg-based studio I Like Birds' comprehensive film festival identity
- The Plant creates identity for Walthamstow business hub using a process from 1905
- Wayfaring land artist Richard Long pays homage to his Bristol roots
- Designs for a tarot deck celebrating black stars and overseen by Jodorowsky
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Embracing the uncanny with photographer Nadia Lee Cohen (NSFW)
- Hello and welcome to the new look It’s Nice That
- Street photographer Vincent Chapters captures London’s spirit
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns