When we first featured Philippe Jarrigeon’s portfolio of photography we completely fell in love with his high-fashion aesthetic, curiously applied to food photography. We’d never seen anything quite like it and his zesty compositions of vibrant oranges fast earned him a comfortable place in our 2012 Annual.
Since then Phillipe’s practice has drifted into the sublime and surreal, maintaining that same sartorial elegance but applying it to an increasingly varied selection of subjects. In his recent work for Double Magazine he’s lovingly dressed church effigies in the trappings of contemporary fashion, decked out in oversize glasses, garish plastic hats and toting the very finest selection of cosmetics. It’s a mad old collection of images but good lord do we love them.
- "Where’s my community?": Skin Deep and POC on the need for diversity in the film industry
- Jee-ook Choi conveys complex ideas using fine linework and muted colours
- Photographer Mehdi Lacoste on working with Actress
- French designer Victoire Coyon’s understated portfolio
- Unit Editions’ upcoming book on the unparalleled work of Paula Scher
- A creative composite of illustration: ten years of Christoph Ruckhäberle’s Lubok
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label