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A collage of colourful, abstract paper cut-outs arranged against a textured red background. The shapes resemble simplified figures or objects, appearing in shades of pink, blue, yellow, teal and orange.

Highlights from London's largest ever photography fair, Photo London

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Date
21 May 2015

London is the most Instagrammed city in the world, but this week photography has hit the capital like never before. Over the next four days some 70 galleries have taken up residence under Somerset House’s neoclassical roof, bringing together a mix of vintage and contemporary prints for the largest photography fair ever held in London.

London’s photography scene has always been a force, but lately it’s fallen into contemporary art’s shadow. Above all, Photo London is a celebration of the city as creative capital and world centre for photography, and in the same way Frieze whets our appetites for art, Photo London aspires to do the same for photography, looking set to join the ranks of the art fair on the international arts and culture circuit.

Even if it’s still dwarfed by its French counterpart, Photo London is overwhelming. Much on display looks to London photographers, and of the participating galleries nearly 30 are from the UK. Add four commissioned exhibitions, such as the V&A’s Beneath the Surface, the Aperture lounge and satellite spaces for art publishers like Phaidon and HATJE CANTZ to the already dizzying amount on show and you can start to understand why it was two hours before I came careening out with square eyes. Here, I’ve rounded up some of the best things I saw.

1. A Conversation at the Edge of an Object, The Royal College of Art

The prestigious London art institution has put together a strong range of works for a group exhibition based around the photograph as art, document and conversation.

A large, colourful beach ball rests on a collection of black and white photographs. The images, showing rocky landscapes and water, are propped up and scattered across a white surface.
Above

Eugenia Ivanissevich: Los Mares (Seas) courtesy of The Royal College of Art

2. Ruth van Beek, The Ravestijn Gallery

Working with found photographs and watercolour, Dutch-born van Beek’s beautiful collages really stood out from the hundreds of images on display.

A collage of abstract, colourful paper shapes arranged against a vibrant red background. The organic forms in pink, blue, yellow and teal are positioned as if standing in a shared space.
Above

Ruth van Beek: Rehearsal 1 courtesy of The Ravestijn Gallery

3. Mike Seaborne, Bernard Quaritch Ltd.

The urban landscape photographer’s poetic images of down-at-heel London shop fronts are documents of some of the more familiar, now gentrified parts of the East End like Redchurch Street.

The storefront of a derelict building with a weathered sign that reads “THE BOOK SHOP”. The shopfront is boarded up and peeling, with a few faded posters stuck to the wall.
Above

Mike Seaborne: Redchurch Street courtesy of Bernard Quaritch Ltd.

4. Adam Bartos, Robert Morat Galerie

Lush, saturated photographs of the kitsch curiosities from New Yorker Adam Bartos’ Yard Sale series are are stand-outs at German gallery Robert Morat.

A collection of pink pressed-glass goblets with textured bowls and clear stems. A white price tag leans against one, handwritten in black ink: “Glass set £20”.
Above

Adam Bartos: Pink Glasses courtesy of Robert Morat Galerie

5. Ishiuchi Miyako and Eamonn Doyle, Michael Hoppen Gallery

London’s Michael Hoppen Gallery had two winners. From her series Frida documenting Frida Kahlo’s wardrobe and belongings, Ishuichi Miyako’s poignant photograph of the prosthetic leg the Mexican artist designed for herself takes centre stage. Equally striking are the photographs of stooped over passers-by from Eamonn Doyle’s series of “Beckettian” figures seen on the streets of Dublin.

A prosthetic leg wearing a tall, red lace-up boot with green and red embroidery on the toe. The leg is attached to a brown leather harness against a pale blue background.
Above

Ishiuchi Miyako: Frida by Ishiuchi courtesy of MIchael Hoppen Gallery

A person with short white hair sits on a perforated metal bench, seen from behind. They wear a teal jacket and patterned trousers, with one hand resting on the bench surface.
Above

Eamonn Doyle: i #28 courtesy of Michael Hoppen Gallery

6. J.D. ’Okhai Ojeikere, Tiwani Contemporary

Known for his work with elaborate Nigerian hairstyles, Nigerian photographer J.D. Okhai Ojeikere’s hair portraits were best in show at Tiwani Contemporary, a London gallery dedicated to contemporary African art.

A black and white photograph from behind shows a person with an architectural hairstyle. Thick strands of hair rise from the scalp to form a structured, cage-like crown.
Above

J.D. Okhai Ojeikere: Onile Gogoro courtesy of Tiwani Contemporary

7. Nadav Kander, Flowers Gallery

This now iconic image from South African photographer Nadav Kander’s travels down China’s longest river was also in the Barbican’s architecture photography exhibition Constructing Worlds last year.

A towering, brutalist concrete sculpture stands on a plateau overlooking a river and distant mountains. Two people stand at the base of the structure, dwarfed by its scale.
Above

Nadav Kander: Fengjie III (Monument to Progress and Prosperity) courtesy of Flowers Gallery

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About the Author

Alexander Hawkins

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