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A row of metal pots and pans hangs from a wire mesh under a dark tarp. The scene is shrouded in a thick, blue-toned mist.
A row of metal pots and pans hangs from a wire mesh under a dark tarp. The scene is shrouded in a thick, blue-toned mist.

Photographer Harley Weir documents the domestic spaces of Calais' migrant camps

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Date
9 November 2016

Loose Joints have released a book by photographer Harley Weir. Homes contains 39 colour plates across 60 pages with a silkscreened and foil-embossed cover. The book’s images were taken over 10 days between 17 and 28 October in Calais’ refugee camps before and after the temporary settlements were emptied and destroyed, showing the camp’s domestic and intimate private spaces.

Publisher Loose Joints says “we have worked alongside Harley for the past 10 days to turn around this project, which was made last month and we feel documents a crucial and necessary human perspective to picturing migration.”

The book, published in an edition of 500, is available exclusively via Loose Joints’ website with all proceeds donated to French charity La Cimade which protects and defends the rights of refugees and migrants.

A structure wrapped in gold foil and fabric featuring the Union Jack and the stars and stripes of the US flag. A tall, thin pole extends from the roof into a blue sky with white clouds.
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Harley Weir: Homes

White tarpaulin shelters stand in a cluster under a dark, moody sky. Behind them, two small wooden structures are topped with simple crosses.
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Harley Weir: Homes

A makeshift shelter constructed from a large red fabric sheet and a blue plastic tarp. It sits on a patch of sandy ground surrounded by low green shrubs under a bright, cloudy sky.
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Harley Weir: Homes

An orange velvet cushion with ruffled edges rests against a pale green patterned sofa. In the foreground, a small white origami bird sits on a red blanket covered in white stars.
Above

Harley Weir: Homes

A person’s hand reaches towards a green textured wall, where a dark shadow is cast. A blurred orange circle is drawn over the shadow's head.
Above

Harley Weir: Homes

A makeshift shelter is constructed from draped blue and green tarpaulins. In the foreground, several white and lime green bags branded “Leroy Merlin” are stacked against a mound of dirt.
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Harley Weir: Homes

A dark, quilted jacket hangs from a wooden slat against a bright blue tarp. The garment catches the light, showing a mix of glossy and matte fabrics.
Above

Harley Weir: Homes

A makeshift shelter constructed from scrap wood and various plastic tarpaulins sits on dark, sandy ground. The scene is set against a soft pink and purple twilight sky.
Above

Harley Weir: Homes

The charred remains of a burnt-out building occupy the foreground, with blackened beams and debris scattered across the ground. In the background, a few people walk across a desolate landscape of mud and puddles.
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Harley Weir: Homes

A yellow envelope, a blue book and a white card are laid out against a grey background. The envelope and book both feature the text “Homes Harley Weir”, with the book featuring a large, hand-drawn yellow circle.
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Harley Weir: Homes

Four small photographs are displayed side by side on a grey wall, each mounted on a white card. The images show close-up, abstract details of colourful fabrics and makeshift structures.
Above

Harley Weir: Homes

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About the Author

Bryony Stone

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Bryony joined It's Nice That as Deputy Editor in August 2016, following roles at Mother, Secret Cinema, LAW, Rollacoaster and Wonderland. She later became Acting Editor at It's Nice That, before leaving in late 2018.

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