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A person looks directly at the camera with a neutral expression. Behind them, a blue and gold sunburst pattern radiates outwards from the centre.
A person looks directly at the camera with a neutral expression. Behind them, a blue and gold sunburst pattern radiates outwards from the centre.

Photographer Ruth Ossai celebrates “beautiful, effortless, powerful” Nigerian identity

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Date
30 January 2017

Photographer Ruth Ossai grew up in Eastern Nigeria, but for now, she’s based in West Yorkshire, where she identifies as an “Igbo/Yorkshire warrior”.

“An Igbo/Yorkshire warrior refers to my dual heritage,” Ruth tells us. “Igbo is my tribe in Nigeria. It’s the first thing I always get asked whatever country I am in or online, as people can’t really work out where I am from. The warrior refers to who I am as a person. A warrior to me is someone who is fearless, has great strength and willpower. There is an Igbo proverb my father always said to me growing up ‘If life dey show u pepper, my daughter make pepper soup from am.’ To me, that is what a warrior represents.”

That head-on warrior quality bursts out of Ruth’s work, which looks to “celebrate, to question the standard of beauty, empower and represent Nigeria and Nigerians, Africa and Africans in and away from home.” Her images present a heady blend of the many faces and styles bubbling through the vast continent, whether swaggering men in cowboy hats, women in full traditional Igbo attire or wearing nothing but a chainmail bodysuit and a pair of red patent boots.

“I’m really infatuated by the way in which photography can tell stories, capture and empower black identity and culture,” Ruth explains. “Especially Nigerian identity, which is so beautiful, effortless and powerful. This is something I have been surrounded by and capturing all my life. My photography is not a response to anything particular but I am a strong advocate of photographers who are embedded in the context in which ideas are produced, participating in the contextualising of their images. It becomes very problematic when Nigerians — and other Africans — cannot tell their own stories: it becomes too often incomplete, inaccurate and stereotyped. This narrative has needed changing for too long now. My work is also honestly partly a reflection of myself; I love and never stop thinking about West Africa, whether I’m home or away.”

Ruth still considers herself a freelance, part-time photographer, balancing her career with youth development work in Nigeria, Ghana, Kenya, South Africa and Yorkshire. “I am traveling back to Nigeria next week with an amazing team to shoot more of my own work but also something magical that will utilise and benefit my community too, which is really important to me when shooting a large collaborative project in Nigeria. I am also returning to Kenya, where I lived in 2014, later this year to shoot an ongoing series. I have a photo book coming out next year and shooting the context for this at the moment. Which I love shooting the context for, as there is no pressure; I don’t have to compromise my art, my values or myself.”

A person stands in the doorway of a round stone hut with a thatched roof. They wear a white head covering, white trousers, and a large grey shawl draped over their shoulders.
Above

Ruth Ossai

A person sits on a dark wooden bench, looking directly at the camera. They wear a black and gold patterned top with a long, red and yellow checked skirt. Behind them is a painted backdrop of a blue sea and sky.
Above

Ruth Ossai

A person wearing a red cowboy hat and sunglasses poses against a teal backdrop. They hold a single purple flower and stand with one foot resting on a wooden bench.
Above

Ruth Ossai

Two people embrace closely against a backdrop of light-coloured plywood. One person wears a black fishnet top, while the other wears a white and green crocheted garment.
Above

Ruth Ossai

A person with short, styled reddish-brown hair looks directly at the camera. They wear a bright blue cut-out top, matching trousers, and blue hoop earrings.
Above

Ruth Ossai

Two people stand side by side against a backdrop of a tropical beach with palm trees. They wear traditional patterned wraps and headscarves in shades of yellow, orange and blue.
Above

Ruth Ossai

A person poses in a sheer outfit and red high-heeled boots, both covered in silver stars. Behind them is a blue backdrop featuring a car and the words “Made In Heaven”.
Above

Ruth Ossai

A collage of portraits featuring people in vibrant, patterned traditional clothing. At the top, a small photo of a person is next to the text “Chief Alfred Ngwu Ossai” and the number “113”. The bottom of the image features a bold headline that reads “IKORIKO MGBAFOR”.
Above

Ruth Ossai

Two side-by-side portraits of a person wearing sunglasses. In the first, they wear a blue polo shirt and red ripped jeans against a backdrop of palm leaves. In the second, they are shirtless in light blue jeans, posing against a city skyline.
Above

Ruth Ossai

A person with short blonde hair poses in an all-white outfit, including a lace-up skirt and knee-high boots. They stand on a pavement between a bright green shutter and a yellow storefront.
Above

Ruth Ossai

Two photos of a person wearing a tan suit over a white T-shirt. They stand against a textured, ochre-coloured wall.
Above

Ruth Ossai

Six people stand side by side in a line, posing for a portrait. They wear colourful dresses and headscarves against a backdrop of blue and green fabric.
Above

Ruth Ossai

Three people stand side by side against a bright red background. They wear matching yellow lace tops, red headwraps, and long, patterned skirts in blue, green and red.
Above

Ruth Ossai

A person looks directly at the camera, wearing a red headwrap and a matching red garment draped over one shoulder. They wear several layers of colourful beaded necklaces and a thin silver wire around their jaw.
Above

Ruth Ossai

A person sits on a chair, looking directly at the camera. They wear a patterned tunic with an ornate neckline and checked trousers.
Above

Ruth Ossai

Two people wearing black cowboy hats pose together against a backdrop of a city skyline at night. They wear polo shirts and denim, with a bridge structure visible above them.
Above

Ruth Ossai

Two people stand side by side against a weathered, light blue wall. They both wear flat caps and tailored jackets with trousers.
Above

Ruth Ossai

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About the Author

Bryony Stone

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Bryony joined It's Nice That as Deputy Editor in August 2016, following roles at Mother, Secret Cinema, LAW, Rollacoaster and Wonderland. She later became Acting Editor at It's Nice That, before leaving in late 2018.

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