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Four figures are seen from behind on a white sandy beach, facing a calm blue sea. The scene is viewed through the gaps of a dark, blurred fence or grate.

We get a sneak peek of TASCHEN's new book documenting 50 years of Pirelli

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Date
24 July 2015

I’d love nothing more than to be a fly on the wall in the meeting at Milanese tire company Pirelli in 1964, when somebody like the work experience guy first suggested making a raunchy calendar. “Except, we’ll only use supermodels,” I imagine he’d have muttered nervously, to the big dogs smoking cigars in their leather chairs. “We’ll get all the best photographers to shoot it, and we’ll only give it to VIPs and really important clients.”

50 years later, the Pirelli calendar remains one of the most desired and revered objects to be produced by the motoring industry. Featuring photographers including Richard Avedon, Peter Lindbergh, Annie Leibovitz and Mario Testino, and shooting in locations all around the world, it represents a lavish and unashamedly sexy side of the fashion industry, and marks the high point of scores of supermodels’ careers.

To mark the 50th anniversary of this legendary institution, TASCHEN has created a retrospective of 50 years of the calendar – a comprehensive volume containing behind-the-scenes photographs of the shoots, the unpublished 1963 edition, and a selection of censored images which were considered to be too risky by editors at the time of publication. It’s a object which screams of desire, and unsurprisingly, we want it.

A grid of six close-up photographs focusing on a person’s mouth and nose. The images show them drinking from a bottle, eating a pink ice lolly and smoking a cigarette.
Above

© Dal Calendario PIRELLI, 1969 di Harry Peccinotti

A person with blonde hair is reflected in an oval mirror, applying red lipstick. The mirror sits atop a wooden dressing table with small drawers. Below the table, a second image shows a close-up of a person's legs wearing black stockings and a garter belt.
Above

© Dal Calendario PIRELLI, 1973 di Brian Duffy & Allen Jones

A person wearing glittery cat-eye sunglasses sits on a beach. The shadow of a palm frond is cast across their body in a series of dark, diagonal stripes.
Above

© Dal Calendario PIRELLI, 1974 di Hans Feurer

Four people stand or kneel in shallow turquoise water on a beach, seen from behind. The scene is viewed through the blurred, dark gaps of a geometric screen or fence.
Above

© Dal Calendario PIRELLI, 1984 di Uwe Ommer

A digital collage featuring an elephant facing two people perched in the branches of a large, weathered tree. The central scene is framed by a border of smaller, overlapping images and magazine clippings.
Above

© Dal Calendario PIRELLI, 2009 di Peter Beard

A person in a tight dress and high heels leans over the front tyre of a racing car. Opposite them, a driver in a racing suit and white balaclava looks on from the back of a truck.
Above

© Dal Calendario PIRELLI, 1986/2014 di Helmut Newton

An open book displays a grid of portraits of people, each paired with a year from 1985 to 2000. The images are arranged in columns against a black background, with the years printed in various bold colours.
Above

Pirelli – The Calendar. 50 Years and More

A collage of portraits from a Pirelli calendar, featuring various people in a grid layout. The word “Pirelli” is written in large, silver block letters across the centre.
Above

Pirelli – The Calendar. 50 Years and More

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About the Author

Maisie Skidmore

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Maisie joined It’s Nice That fresh out of university in the summer of 2013 as an intern before joining full time as an Assistant Editor. Maisie left It’s Nice That in July 2015.

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