Richard Turley is one of the most respected designers around, lauded by the industry and the design press for his funny, daring and creative approach in helping revive the fortunes of Bloomberg Businessweek. But when It’s Nice That approached him about an article for Printed Pages looking at this part of his career he was reticent. “To be honest with you,” he told us, “I have a slight anxiety that everyone must be bored shitless about me whining on about those covers.”
Instead he wondered, would we be interested in the fact that he was about to start work on iconic music magazine ’SUP and its special issue commemorating a festival held in the Californian desert? Yes. Yes we would.
And so we got to tell the exclusive story about how Richard and his Bizweek colleagues Emily Keegin and Tracy Ma went about producing this amazing record of last year’s A Day In The Desert; a new kind of festival held in the mindbending surroundings of the Joshua Tree National Park.
It is a graphic design story in a way with talk of typefaces and layouts but it also drills down to the very core issue surrounding magazines; in what ways can the medium best capture the stories we are trying to tell?
Buy the new issue of Printed Pages right here!!
- Best of the Web is here, and so is the weekend!
- Animator Saiman Chow’s trippy idents for Adult Swim’s Rick and Morty
- Friday Mixtape: Legendary record label, 4AD
- Risograph photograph journal, This is the Same Ocean, returns with a sixth issue
- Illustrator Gizem Vural impresses us with attention-grabbing personal work and commissions
- Colophon Foundry re-releases its road-sign inspired typeface, Montefiore, with new specimen
- Jon Burgerman on his utterly brilliant Instagram experiments
- The photos Juergen Teller took while waiting for Rihanna
- Animator and director James Curran’s amusing 30-day Gifathon project in Tokyo
- "Before I was a graphic designer I had nearly no idea what one was": meet Austin Redman
- Meet Berlin-based studio Büro Bum Bum
- Matthew Raw: the east London artist making clay great again