This is Fantastic Man‘s naughty cousin, and he’s got a really fast car. But then, it’s not really surprising that the brainchild of Henrik Purienne, Rocholl and Neira Zahirovic is a weighty tome hiding some of the most beautiful and exciting objects and people who grace the earth. Mirage is a magazine that celebrates wild beauty and carefree hedonism through jaw dropping photography. Be it a car, a certain beach, a band or a muse, this is an archive of hedonism that fully encourages jetsetting, sunbathing, drinking, splurging cash and partying all night.
The best part of this magazine as well as the truly, truly fantastic graphic design, is that whilst it is predominantly filled with photos of half naked women, there is an air of respect present that is so rare in magazines of this ilk. Nice to see a fully clothed Jane Birkin getting even more appreciation than some of the naked girls rolling about in the sand with cigarettes tucked into their bikini bottoms. Also, how’s this for a magazine’s tag-line: “Fashion’s most exciting image makers collectively creating a new wave of bohemian futurism. The girl of your dreams in a movie projected straight from your imagination.”
- Twin brothers V/A/B on their “difficultly simple” approach to design
- The people’s choice, it’s Best of the Web!
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Lukas Korshan photographs Dulwich Hamlet FC, where you can “drink beer, stand up, and let loose"
- “The field is stretching itself bigger and bigger” - Jurgen Bey on design education and infinite possibility
- Peter Judson messes with depth perception in new personal project, Infection
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s