This is Fantastic Man‘s naughty cousin, and he’s got a really fast car. But then, it’s not really surprising that the brainchild of Henrik Purienne, Rocholl and Neira Zahirovic is a weighty tome hiding some of the most beautiful and exciting objects and people who grace the earth. Mirage is a magazine that celebrates wild beauty and carefree hedonism through jaw dropping photography. Be it a car, a certain beach, a band or a muse, this is an archive of hedonism that fully encourages jetsetting, sunbathing, drinking, splurging cash and partying all night.
The best part of this magazine as well as the truly, truly fantastic graphic design, is that whilst it is predominantly filled with photos of half naked women, there is an air of respect present that is so rare in magazines of this ilk. Nice to see a fully clothed Jane Birkin getting even more appreciation than some of the naked girls rolling about in the sand with cigarettes tucked into their bikini bottoms. Also, how’s this for a magazine’s tag-line: “Fashion’s most exciting image makers collectively creating a new wave of bohemian futurism. The girl of your dreams in a movie projected straight from your imagination.”
- Iris Erlings’ delicate drawings are inspired by the works of modernist sculptors
- Node Berlin Oslo talks through its redesign of Hans der Kulturen der Welt
- A closer look at five creatives speaking at Design Indaba 2017
- Anxiety, speed and rave flyers: artist Mark Leckey on his iconic video "Fiorucci Made Me Hardcore"
- We speak to Lovetrue director Alma Har’el about her surrealist short film for The Fifth Sense
- Adventures in Typography: Spin’s new book about its creative process
- UN Women Egypt releases intricately illustrated print ads to highlight gender divide at work
- Chinese photographer Ren Hang has died aged 29
- Designer Lennart Van den Bossche’s typographic work combines "logic and beauty"
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Miffy creator, author and illustrator Dick Bruna dies aged 89
- Photographers Kelia Anne MacCluskey and Luca Venter explore the limits of reality