Riitta’s work is slightly bonkers but in the best possible way. It’s also conceptually rich; re-occurring themes include, identity, perceptions of space, and how we relate and interact with our environment. She is a big advocate of thinking through doing, and maintains that her “hands hold the most decision making power”. Recent projects include a commission by London 2012 in collaboration with We Made That, and The Klassnik Corporation, for landscape and architectural interventions in the Olympic park.
Riitta will be running a one-day workshop as part of Field Trip summer school testing and experimenting with materials, and opening up their creativity possibilities, and potential physical manipulation.
- “Legs eleven, droopy drawers, dirty knees”: A clock that uses bingo calls instead of numbers
- Great new work for The New York Times and Bloomberg Businessweek from Oscar Bolton Green
- Dots, blocks and fades layered up in multifaceted exhibition identity for The Hague’s Royal Academy
- Patty Carroll's bizarre photos hide women in chaotic, hand-built scenes
- Dougal Wilson's Morris Dancing-heavy first music video in six years
- A lifestyle magazine for realists, Oikos breaks the mould
- An insight into The Guardian’s newly released brand guidelines
- Art and architecture get exhibitions and galleries: graphic design should too
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here
- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- Photographing the choreography and chaos of the England cheerleading team
- Japanese artist Tatsuro Kiuchi is back with more beautifully finished illustrations